Pre-Raphaelite Sisters (Paperback)
Idioma: inglés
Editorial: National Portrait Gallery Publications, London, 2024
- Tapa blanda
- Nuevo
Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Vendedor de AbeBooks desde 22 de junio de 2007
Condición: Nuevo
EUR 32,14
Cantidad disponible: 1 disponibles
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Paperback. For far too long the male protagonists of the Pre-Raphaelite movement have dominated accounts of this revolution in British art. This book aims to redress the balance in showing just how engaged and central women were to the endeavour - as the subjects of the images themselves, certainly, but also in their production. When the Pre-Raphaelite Brotherhood (the 'PRB') exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the 'Young Painters of England' this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions. Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century? Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making - the fine crafts that formed a supportive tier for the 'higher' arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
N° de ref. del artículo 9781855147928
- Título
- Pre-Raphaelite Sisters (Paperback)
- Autor
- Jan Marsh
- Editorial
- National Portrait Gallery Publications, London
- Año de publicación
- 2024
- Estado
- new
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1855147920
- ISBN 13
- 9781855147928
When the Pre-Raphaelite Brotherhood (the ‘PRB’) exhibited their first works in 1849 it heralded a revolution in British art. Styling themselves the ‘Young Painters of England’ this group of young men aimed to overturn stale Victorian artistic conventions and challenge the previous generation with their startling colours and compositions.
Think of the images created by William Holman Hunt, John Everett Millais, Dante Gabriel Rossetti and others in their circle, however, and it is not men but pale-faced young women with lustrous, tumbling locks that spring to mind, gazing soulfully from the picture frame or in dramatic scenes painted in glowing colours. Who were these women? What is known of their lives and their roles in a movement that, in successive phases, spanned over half a century?
Some were models, plucked from obscurity to pose for figures in Pre-Raphaelite paintings, while others were sisters, wives, daughters and friends of the artists. Several were artists themselves, with aspirations to match those of the men, sharing the same artistic and social networks yet condemned by their gender to occupy a separate sphere. Others inhabited and sustained a male-dominated art world as partners in production, maintaining households and studios and socialising with patrons. Some were skilled in the arts of interior decoration, dressmaking, embroidery, jewellery-making – the fine crafts that formed a supportive tier for the ‘higher’ arts of painting and sculpture. And although their backgrounds and life-experiences certainly varied widely, all were engaged in creating Pre-Raphaelite art.
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Acerca del autor
Peter Funnell is a former curator at the National Portrait Gallery, London
Alison Smith is Chief Curator, at the National Portrait Gallery, London. Her recent publications include Women at Work: 1900 to Now(2023), Charles III: The Making of a King (2023), Edward Burne-Jones (2018), and Reflections: Van Eyck and the Pre-Raphaelites (2017).
Charlotte Gere is a curator and co-author of Pre-Raphaelite to Arts and Crafts Jewellery.
Pamela Gerrish Nunn is the author of A Pre-Raphaelite Journey: The Art of Eleanor Fortescue-Brickdale.
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