Post)socialist Dance : A Search for Hidden Legacies. Este artículo no está disponible.Post)socialist Dance : A Search for Hidden Legacies

This book sets out to search for the 'lost' Second World in dance studies and the way it appears and reappears in today's globalized world.

Annelies Van Assche obtained a joint doctoral degree in Art Studies and Social Sciences in 2018 for studying the working conditions of European contemporary dance artists. She is a postdoctoral researcher at the department of Art History, Musicology and Theatre Studies of Ghent University and lecturer at the Royal Conservatoire Antwerp's dance department. Her research focuses on the relation between labor and aesthetics in contemporary dance. She is author of Labor and Aesthetics in European Contemporary Dance. Dancing Precarity (2020) and a member of research group S:PAM, CoDa - European Research Network for Dance Studies and the Young Academy of Flanders.

Dunja Njaradi is Associate professor at the Department for Ethnomusicology, Faculty of Music, University of Arts in Belgrade. She is a dance anthropologist interested in traditional dances, social dances and religious performances and has extensive teaching experience in drama, theatre, dance and anthropology.

Igor Koruga is a freelance artist working within contemporary dance and choreography. He teaches choreography in Belgrade, provides choreographic assistance to theater directors and works as a dance dramaturge. He is part of a research team for archiving contemporary dance by Nomad Dance Academy and Museum of Contemporary Art in Ljubljana.

Milica Ivic holds a PhD in Theory of Arts and Media at the University of Arts in Belgrade. She is an independent researcher working in the field of contemporary dance in Serbia, interested in questions of archiving and institutionalisation of contemporary dance. She is part of a research team for archiving contemporary dance in collaboration with Nomad Dance Academy and Museum of Contemporary Art in Ljubljana.