Picturesque and Sublime : Thomas Cole's Trans-Atlantic Inheritance
Barringer, Tim; Forrester, Gillian; Lynford, Sophie; Raab, Jennifer; Robbins, Nicholas
ISBN 10: 0300233531 ISBN 13: 9780300233537
Editorial: Yale University Press, 2018
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Descripción
Descripción:
Unread book in perfect condition. N° de ref. del artículo 30226791
Sinopsis:
Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole’s own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole’s formulation of a profound new category in art―the American sublime.
Published in association with the Thomas Cole National Historic Site
Exhibition Schedule:
Thomas Cole National Historic Site
(05/01/18–11/04/18)
Acerca del autor: Tim Barringer is Paul Mellon Professor in the History of Art at Yale University. Gillian Forrester is senior curator of historic fine art at the Whitworth Art Gallery, Manchester. Jennifer Raab is assistant professor in the history of art at Yale University. Sophie Lynford and Nicholas Robbins are doctoral candidates in the history of art at Yale University.
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Detalles bibliográficos
Título: Picturesque and Sublime : Thomas Cole's ...
Editorial: Yale University Press
Año de publicación: 2018
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Picturesque and Sublime : Thomas Cole's Trans-Atlantic Inheritance
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Yale University Press, 2018
ISBN 10: 0300233531
ISBN 13: 9780300233537
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Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance
Publicado por
Yale University Press, 2018
ISBN 10: 0300233531
ISBN 13: 9780300233537
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Paperback. Condición: As New. Color pictorial glued wraps.x, 179 pp., profusely illustrated with over 100 color and bw images. Catalogue of an exhibition of the same name held at Thomas Cole National Historic Site in Catskill, New York from May 1 to November 4, 2018. Although the catalogue only lists 31 amply-annotated works, there is a very lengthy and well-illustrated essay which precedes the catalogue. A significant addition to the literature on Cole and his influences and influence. "Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime." -- Publisher's description. Nº de ref. del artículo: 170006
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Picturesque and Sublime: Thomas Cole?s Trans-Atlantic Inheritance
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Yale University Press, 2018
ISBN 10: 0300233531
ISBN 13: 9780300233537
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Picturesque and Sublime: Thomas Cole's Trans-Atlantic Inheritance
Publicado por
Thomas Cole National Historic Site in association with Yale University Press, Catskill, NY and New Haven, CT, 2018
ISBN 10: 0300233531
ISBN 13: 9780300233537
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Librería: LEFT COAST BOOKS, Santa Maria, CA, Estados Unidos de America
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Paperback. Condición: NEW. 1st. x, 179 pages, illustrations (some colour), facsimiles; 28 cm. Catalogue of an exhibition of the same name held at Thomas Cole National Historic Site in Catskill, New York from May 1 to November 4, 2018. BRAND NEW. A fine copy. Still in publisher's shrinkwrap. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Cole's own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Cole's formulation of a profound new category in art--the American sublime." - Publisher. *** CONTENTS: An Inheritance in Print: Thomas Cole and the Aesthetics of Landscape, by Tim Barringer and Jennifer Raab; Working Papers: Thomas Cole's Early Drawings and Notebooks, by Nicholas Robbins; Idyllic and Industrial Visions: Thomas Cole, William Guy Wall, and the Hudson River, by Sophie Lynfold, by Catalogue, by Origins, by Picturesque, by Sublime, by Trans-Atlantic Inheritance. Size: 4to. Collectible. Nº de ref. del artículo: 124796
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Picturesque and Sublime: Thomas Cole s Trans-Atlantic Inheritance
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Yale University Press, 2018
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ISBN 13: 9780300233537
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Picturesque and Sublime: Thomas Cole's Trans-Atlantic Inheritance
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Yale University Press, 2018
ISBN 10: 0300233531
ISBN 13: 9780300233537
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Picturesque and Sublime Thomas Cole`s TransAtlantic Inheritance
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Picturesque and Sublime (Paperback)
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Yale University Press, New Haven, 2018
ISBN 10: 0300233531
ISBN 13: 9780300233537
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Paperback. Condición: new. Paperback. Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Coles own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Coles formulation of a profound new category in artthe American sublime.Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/1811/04/18) Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780300233537
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Picturesque and Sublime (Paperback)
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ISBN 10: 0300233531
ISBN 13: 9780300233537
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Paperback. Condición: new. Paperback. Landscape art in the early 19th century was guided by two rival concepts: the picturesque, which emphasized touristic pleasures and visual delight, and the sublime, an aesthetic category rooted in notions of fear and danger. British artists including J.M.W. Turner and John Constable raised landscape painting to new heights and their work reached global audiences through the circulation of engravings. Thomas Cole, born in England, emigrated to the United States in 1818, and first absorbed the picturesque and sublime through print media. Cole transformed British and continental European traditions to create a distinctive American form of landscape painting. The authors here explore the role of prints as agents of artistic transmission and look closely at how Coles own creative process was driven by works on paper such as drawings, notebooks, letters, and manuscripts. Also considered is the importance of the parallel works of William Guy Wall, best known for his pioneering Hudson River Portfolio. Beautifully illustrated with works on paper ranging from watercolors to etchings, mezzotints, aquatints, engravings, and lithographs, as well as notable paintings, this book offers important insights into Coles formulation of a profound new category in artthe American sublime.Published in association with the Thomas Cole National Historic SiteExhibition Schedule:Thomas Cole National Historic Site (05/01/1811/04/18) Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. Nº de ref. del artículo: 9780300233537
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