Personal Affects: Power and Poetics in Contemporary South African Art, Volume 1. Este artículo no está disponible.
Enwezor, Okwui; Brodie, David; Madikida, Churchill; Murinik, Tracy; van der Watt, Liese; Cohen, Steven; Maluka, Mustafa; Victor, Diane; Alexander, Jane; Farrell, Ann Laurie [Editor]; Perryer, Sophie [Editor];
Idioma: inglés
Editorial: Museum for African Art / Spier, 2004
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Librería: Chapter 1, Johannesburg, GAU, Sur AfricaChapter 1
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light shelf wear on the jacket. a clean copy. excellent binding. may require extra postage. [SK]. Our orders are shipped using tracked courier delivery services.
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- Título
- Personal Affects: Power and Poetics in Contemporary South African Art, Volume 1
- Autor
- Enwezor, Okwui; Brodie, David; Madikida, Churchill; Murinik, Tracy; van der Watt, Liese; Cohen, Steven; Maluka, Mustafa; Victor, Diane; Alexander, Jane; Farrell, Ann Laurie [Editor]; Perryer, Sophie [Editor];
- Editorial
- Museum for African Art / Spier
- Año de publicación
- 2004
- Estado
- Very Good
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 0945802420
- ISBN 13
- 9780945802426
- Peso del artículo
- 35 onzas
- Dimensiones
- 11x8x0
Book by Brodie David Madikida Churchill Murinik Tracy van
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Season South Africa is a major program of contemporary visual and performing arts that runs from September 2004 through January 2005. Launched by the Museum for African Art and The Cathedral of St. John the Divine during the year that South Africa is commemorating its first decade of democracy, Season South Africa showcases some of that country's most gifted and acclaimed contemporary visual and performing artists chosen by an international team of curators. The visual arts exhibition, Personal Affects: Power and Poetics in Contemporary South African Art, presents newly commissioned and recently produced works in various media by 17 South African artists. The common thread throughout the exhibition is the higly personal point of departure of the artists' working methods that are informed by their varied experiences as South Africans. Volume I also features an introduction by the exhibition curators, as well as various exploratory and insightful texts.
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