Over and Over: Exploring Repetition in Popular Music. Este artículo no está disponible.
Idioma: inglés
Editorial: Bloomsbury Publishing Plc, 2019
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N° de ref. del artículo C9781501357350
- Título
- Over and Over: Exploring Repetition in Popular Music
- Autor
- Olivier Julien
- Editorial
- Bloomsbury Publishing Plc
- Año de publicación
- 2019
- Estado
- New
- Encuadernación
- Paperback / softback
- Idioma
- inglés
- ISBN 10
- 1501357352
- ISBN 13
- 9781501357350
- Peso del artículo
- 286 gramos
Over and Over aims at identifying and studying the recent aesthetic and analytical developments of musical repetition in popular music.
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Acerca del autor
Olivier Julien is Associate Professor at Sorbonne Université, France, where he teaches the history and musicology of popular music. A permanent member of the IReMus research group (Sorbonne Université/CNRS) and a member of the editorial board of Volume! La revue des musiques populaires, he is the editor of Sgt. Pepper and the Beatles: It Was Forty Years Ago Today (2009 ARSC Award for Best Research in Recorded Rock and Popular Music) and Over and Over: Exploring Repetition in Popular Music (with Christophe Levaux, Bloomsbury, 2018).
Christophe Levaux was born in Brussels in 1982. He holds two Masters' degrees from the University of Liege: one in musicology and one in general management. He participated in the French Community of Belgium's Patrimoine Musical Numérique programme and has worked for the classical radio station Musiq'3 (RTBF). He is currently completing a PhD thesis on the construction of the concept of minimal music which explores methodological interconnections between musicology and science and technology studies.
Christophe Levaux was born in Brussels in 1982. He holds two Masters' degrees from the University of Liege: one in musicology and one in general management. He participated in the French Community of Belgium's Patrimoine Musical Numérique programme and has worked for the classical radio station Musiq'3 (RTBF). He is currently completing a PhD thesis on the construction of the concept of minimal music which explores methodological interconnections between musicology and science and technology studies.
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