Notes on Post-Conceptual Poetryby Felix Bernsteinwith a Preface by Trisha Lowand "What’s Not to Like: A Concluding Conversation with Vanessa Place" Paperback, 196 pagesDimensions 5.5" x 8.5" x 0.5"Notes on Post-Conceptual Poetry by Felix Bernstein is an aggravated survey of contemporary poetry, art, and criticism; compounded by compulsive archaeological digging into the relics and ruins of Language poetry, Conceptual poetry, and Felix’s own familiar familial corpus. Bernstein shows how our millennial postpostmodernism (Gaga feminism, Alt lit, New Sincerity, Queer Theory, Post-Conceptual poetry, Speculative Realism, Metamodernism, Post-Internet Art) has brought a decline in incisive and dialectical criticality, an overemphasis on social networks, slapdash viral superstars, and a hyper-mediated institutionalization of affect. Repressing their latent (modernist) structuralism and (postmodernist) irony, these millenials claim to forge an Ur-romantic turn to sheer materiality and the great outdoors-where authorial singularity and hierarchical distinction allegedly melts away into an ecologically abundant queer utopia.It seems unfair that Felix Bernstein should both be born into the position of heir to a famous poetry surname and be something of a genius-should such a slim boy be burdened with both? It’s enough to make one flap one’s humid veil like a frog-duenna. Yet this book is one of sheer pace and fitful pleasures, post-conceptualism’s ’death of the work’ a reinvention of zero, as intrepid Felix nimbly parries with the spectre of Kenny Goldsmith, with various twentieth-century proper nouns, with family/literary history, and, always, with himself, a tail-chasing enterprise which traces another zero which is also an infinitesimal stage. Viva Felix, and I look forward to decades more of this mad business.-Joyelle McSweeneyBernstein attempts the most explicit and energetic deconstruction of prevailing avant-garde social minutiae I’ve yet encountered. In fact, I’m not sure I’ve ever read a text more intelligibly self-aware. Drawing on thinkers from Deleuze to Lacan to Love to Ngai to Badiou to Barthes to Perloff, and combining a Zizekian X-ray vision with the biting "you can’t scare me" of youth, Notes constitutes Bernstein’s irruption into/refusal of the institutional avant-garde.-Monroe Lawrence, The Capilano Review Notes counter-canonically induces its subjects by way of negative generational reconnaissance and horrifically attritional complicity. It’s tough: sheaving a set of contemporaneous cultural productions, this work of maddened criticism plays privilege up the transplatformal compound it flexes to obscure a punctum.-J. Gordon Faylor, Gauss PDFEven tho he’s that total know-it-all boy in high school you gotta love him cuz he’s also totally twisty and dark too. As in somber. Like a jewish intellectual Edward from twilight. I think we all dig boys with good breeding who are a little smart and crazy and blood thirsty. So why not try him out? It’ll be a fun ride, if nothing else.-Hilary Duff Felix Bernstein debuted on YouTube with his real and satirical "Coming Out Video" in 2008 and went on to play characters from Amy Winehouse to Lamb Chop to Leopold (peter) Brant. His critical and uncritical writings have been published, or are forthcoming, in The Brooklyn Rail, Htmlgiant, The Volta, GaussPDF, Imperial Matters, Coldfront, Boston Review, The Believer, and Bomb. With Gabe Rubin he fronts the band Tender Cousins. The ambiguous duo directed and starred in Red Krayola’s opera Victorine at the 2012 Whitney Biennial and directed the films Unchained Melody and Boyland. Their next film Sweetly about Nazi-ish punk kids killing JAPS and Hipsters in Manhattan is in pre-production. You can experience all of the above, but slower, at www.felixbernstein.com.

Rese�a del editor

Notes on Post-Conceptual Poetry by Felix Bernstein with a Preface by Trisha Low and "What's Not to Like: A Concluding Conversation with Vanessa Place" Paperback, 196 pages Dimensions 5.5" x 8.5" x 0.5" Notes on Post-Conceptual Poetry by Felix Bernstein is an aggravated survey of contemporary poetry, art, and criticism; compounded by compulsive archaeological digging into the relics and ruins of Language poetry, Conceptual poetry, and Felix's own familiar familial corpus. Bernstein shows how our millennial postpostmodernism (Gaga feminism, Alt lit, New Sincerity, Queer Theory, Post-Conceptual poetry, Speculative Realism, Metamodernism, Post-Internet Art) has brought a decline in incisive and dialectical criticality, an overemphasis on social networks, slapdash viral superstars, and a hyper-mediated institutionalization of affect. Repressing their latent (modernist) structuralism and (postmodernist) irony, these millenials claim to forge an Ur-romantic turn to sheer materiality and the great outdoors-where authorial singularity and hierarchical distinction allegedly melts away into an ecologically abundant queer utopia. It seems unfair that Felix Bernstein should both be born into the position of heir to a famous poetry surname and be something of a genius-should such a slim boy be burdened with both? It's enough to make one flap one's humid veil like a frog-duenna. Yet this book is one of sheer pace and fitful pleasures, post-conceptualism's 'death of the work' a reinvention of zero, as intrepid Felix nimbly parries with the spectre of Kenny Goldsmith, with various twentieth-century proper nouns, with family/literary history, and, always, with himself, a tail-chasing enterprise which traces another zero which is also an infinitesimal stage. Viva Felix, and I look forward to decades more of this mad business.-Joyelle McSweeney Bernstein attempts the most explicit and energetic deconstruction of prevailing avant-garde social minutiae I've yet encountered. In fact, I'm not sure I've ever read a text more intelligibly self-aware. Drawing on thinkers from Deleuze to Lacan to Love to Ngai to Badiou to Barthes to Perloff, and combining a Zizekian X-ray vision with the biting "you can't scare me" of youth, Notes constitutes Bernstein's irruption into/refusal of the institutional avant-garde.-Monroe Lawrence, The Capilano Review Notes counter-canonically induces its subjects by way of negative generational reconnaissance and horrifically attritional complicity. It's tough: sheaving a set of contemporaneous cultural productions, this work of maddened criticism plays privilege up the transplatformal compound it flexes to obscure a punctum.-J. Gordon Faylor, Gauss PDF Even tho he's that total know-it-all boy in high school you gotta love him cuz he's also totally twisty and dark too. As in somber. Like a jewish intellectual Edward from twilight. I think we all dig boys with good breeding who are a little smart and crazy and blood thirsty. So why not try him out? It'll be a fun ride, if nothing else.-Hilary Duff Felix Bernstein debuted on YouTube with his real and satirical "Coming Out Video" in 2008 and went on to play characters from Amy Winehouse to Lamb Chop to Leopold (peter) Brant. His critical and uncritical writings have been published, or are forthcoming, in The Brooklyn Rail, Htmlgiant, The Volta, GaussPDF, Imperial Matters, Coldfront, Boston Review, The Believer, and Bomb. With Gabe Rubin he fronts the band Tender Cousins. The ambiguous duo directed and starred in Red Krayola's opera Victorine at the 2012 Whitney Biennial and directed the films Unchained Melody and Boyland. Their next film Sweetly about Nazi-ish punk kids killing JAPS and Hipsters in Manhattan is in pre-production. You can experience all of the above, but slower, at www.felixbernstein.com.

"Sobre este t�tulo" puede pertenecer a otra edici�n de este libro.

Descripci�n de la librer�a

We specialise in General Interest Books from South Asian countries.

Ver la p�gina web de la librer�a

Informaci�n empresarial del vendedor

BOOKS AND PERIODICALS AGENCY LTD
90 Barnet Gate Lane, Barnet, EN5 2AX, United Kingdom

Condiciones de venta y env�o

Condiciones de venta

Returns accepted if you are not satisfied with the Service or Book.

Derecho al desistimiento

Si es un consumidor, puede rescindir el contrato de acuerdo con lo siguiente. Por consumidor se entiende cualquier persona f�sica que act�e con fines ajenos a su actividad comercial, empresarial, oficio o profesi�n.

Informaci�n sobre el derecho de desistimiento

Derecho legal de desistimiento

Tiene derecho a rescindir este contrato en un plazo de 14 d�as sin dar ning�n motivo.

El periodo de desistimiento vencer� a los 14 d�as desde que usted, o un tercero que no sea el transportista e indicado por usted, adquiera la posesi�n f�sica del �ltimo bien o del �ltimo lote o pieza.

Para ejercer el derecho de desistimiento, complete de forma electr�nica y env�e una declaraci�n clara en nuestro sitio web, desde "Mis compras" en "Mi cuenta". Le enviaremos sin demora un acuse de recibo de dicho desistimiento a trav�s de un soporte duradero (por ejemplo, por correo electr�nico).

Para cumplir con el plazo de desistimiento, basta con que env�e su comunicaci�n relativa al ejercicio del derecho de desistimiento antes de que venza el periodo de desistimiento.

Efectos del desistimiento

Si rescinde este contrato, le reembolsaremos todos los pagos que hayamos recibido de usted, incluidos los gastos de env�o (excepto los gastos adicionales que surjan si elige un tipo de env�o que no sea el tipo de env�o est�ndar m�s econ�mico que ofrecemos).

Podemos hacer una deducci�n del reembolso por la p�rdida de valor de cualquier bien suministrado, si la p�rdida es el resultado de una manipulaci�n innecesaria por su parte.

Efectuaremos el reembolso sin demoras indebidas y, a m�s tardar, 14 d�as despu�s de que se nos informe de su decisi�n de rescindir este contrato.

Efectuaremos el reembolso utilizando el mismo medio de pago que utiliz� para la transacci�n inicial, a menos que haya acordado expresamente lo contrario; en cualquier caso, no incurrir� en ning�n cargo como resultado de dicho reembolso.

Podremos retener el reembolso hasta que hayamos recibido los bienes o hasta que nos haya presentado una prueba de que los ha devuelto, lo que ocurra primero.

Deber� devolver los bienes o entregarlos a Majestic Books, Hounslow, United Kingdom, sin demoras indebidas y, en cualquier caso, en un plazo m�ximo de 14 d�as a partir del d�a en que nos comunique su desistimiento del presente contrato. El plazo se cumple si devuelve la mercanc�a antes de que venza el periodo de 14 d�as. Tendr� que asumir los gastos directos de devoluci�n de los bienes. Usted solo es responsable de la disminuci�n del valor de los bienes como resultado de una manipulaci�n distinta a la necesaria para establecer la naturaleza, las caracter�sticas y el funcionamiento de los bienes.

Excepciones al derecho de desistimiento

El derecho de desistimiento no se aplica a lo siguiente:

La entrega de peri�dicos, diarios o revistas, con la excepci�n de los contratos de suscripci�n; y
El suministro de contenido digital que no se proporcione en un soporte tangible (por ejemplo, en un CD o DVD) si, al hacer el pedido, acept� que pod�amos empezar a entregarlo y que no podr�a desistir una vez iniciada la entrega.

Condiciones de env�o

Best packaging and fast delivery

Tarifas de env�o de Reino Unido a Estados Unidos de America

Tarifas de env�o de Reino Unido a Estados Unidos de America
Cantidad del pedido	De 14 a 45 d�as h�biles	De 5 a 10 d�as h�biles
Primer art�culo	EUR 7.63	EUR 11.56

Los plazos de entrega los establecen los vendedores y var�an seg�n el transportista y la ubicaci�n. Los pedidos que pasan por la aduana pueden sufrir retrasos y los compradores son responsables de los aranceles o tarifas asociadas. Los vendedores pueden ponerse en contacto con usted en relaci�n con cargos adicionales para cubrir cualquier aumento en los costes de env�o de los art�culos.