New Formalist Criticism: Theory and Practice. Este artículo no está disponible.
Idioma: inglés
Editorial: Palgrave Macmillan, 2013
- Tapa dura
- Nuevo

Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
Vendedor de IberLibro desde 25 de marzo de 2015
Condición: Nuevo
EUR 69,07
Descripción del artículo del vendedor
In English.
N° de ref. del artículo ria9781137362582_new
- Título
- New Formalist Criticism: Theory and Practice
- Autor
- Bogel, F.
- Editorial
- Palgrave Macmillan
- Año de publicación
- 2013
- Estado
- New
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 1137362588
- ISBN 13
- 9781137362582
- Peso del artículo
- 542 gramos
New Formalist Criticism: Theory and Practice attempts to situate New Formalist criticism in contemporary theory and practice, arguing for its singularity and value, tracing its roots and development, exploring its role in other critical modes and in non-literary disciplines, offering analyses of a range of texts, and portraying literary study as a provisional rehearsal of existential postures and attitudes in the inevitably historical present of the reader. Critically sophisticated, but written in a lucid and engaging style, with numerous examples and concrete analyses, New Formalist Criticism: Theory and Practice will speak to a wide readership. While its principal audience will be professional literary scholars and graduate students, it will also be extraordinarily useful to undergraduate students interested in critical method and the study of literature - how we read and why we read. New Formalist Criticism: Theory and Practice will invigorate the study of literary form and help redraw the map of contemporary criticism.
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Acerca del autor
Fredric V. Bogel has taught in the Cornell University English Department since the 1980s, offering courses in eighteenth-century literature, critical theory, and the analysis of poetry. His research focuses on formalist criticism, modern critical theory, eighteenth-century literature, and theory of satire. He is currently writing on materialist and volitional accounts of affective and aesthetic experience in eighteenth-century literature, philosophy, aesthetics, and acting theory.
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