The New Design Museum (Paperback)
Idioma: inglés
Editorial: Park Books, Zurich, 2025
- Tapa blanda
- Nuevo
Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Vendedor de IberLibro desde 22 de junio de 2007
Condición: Nuevo
EUR 86,96
Cantidad disponible: 1 disponible
Añadir al carritoDescripción del artículo del vendedor
Paperback. Explores how design and architecture museums have adapted to face contemporary concerns. The New Design Museum brings together theories and voices from leading international institutions and independent initiatives addressing the transformed--and continually transforming--nature of design in the twenty-first century and its planetary scope in both practical and discursive dimensions. By mapping a new landscape of institutional practices across different geographical locations, it reveals how spaces of culture dedicated to design need transformation--of their missions, programs, and outreach platforms--to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. The book integrates essays by Beatrice Leanza, fifteen interviews with directors and programmers--such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London)--and seventeen case studies that encompass independent organizations and platforms offering evidence of the changing paradigms of public and professional engagement with the discipline of design. The World Around (Brooklyn, NY), African Futures Institute (Accra, Ghana), Cultures of Assembly (Luxembourg), Loudreaders, Instituto A Gente Transforma (Sao Paolo, Brasil), and Fundacion Organizmo (Colombia), and others explore global design practices invested in decolonizing and queering agency, as well as computational, ecological, and Indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development. The New Design Museum ultimately examines the critical role of cultural institutions as engines for knowledge production, where a democratic politics of mutual care and shared purpose can be explored and exercised. AUTHOR: Beatrice Leanza is a cultural strategist, museum director, and critic with a background in Asian studies. She served as executive director of the Museum of Art, Architecture, and Technology in Lisbon, as director of the Museum of Contemporary Design and Applied Arts in Lausanne, and as creative director of Beijing Design Week. She is co-founder of The Global School, China's first independent institute dedicated to design and creative research. SELLING POINTS: . Maps a landscape of new institutional and curatorial practices in discussing and exhibiting architecture and design across different geographical locations . Highlights changing paradigms of public and professional engagement with design . Thirty-one case studies encompass visions and practical examples from leading international institutions as well as independent initiatives and platforms . Features 15 interviews with directors and programmers from all continents 50 colour illustrations This book maps a landscape of new institutional and curatorial practices in discussing and exhibiting architecture and design across different geographical locations. Thirty-one case studies encompass visions and practical examples from leading international institutions as well as independent initiatives and platforms. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
N° de ref. del artículo 9783038604389
- Título
- The New Design Museum (Paperback)
- Autor
- Beatrice Leanza
- Editorial
- Park Books, Zurich
- Año de publicación
- 2025
- Estado
- new
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 3038604380
- ISBN 13
- 9783038604389
The New Design Museum maps a new landscape of institutional practices across different geographical locations. It reveals how spaces of culture dedicated to design have been transforming―their missions, programs and outreach platforms―to respond to an ever-expanding outlook on design as a field that is moving beyond its traditional presentation as an object-based practice. The case studies encompass visions and practical examples from leading international institutions as well as independent initiatives and platforms, such as The World Around (Brooklyn, NY), Serpentine Gallery (London), Future Observatory at the Design Museum (London), Cultures of Assembly (Luxembourg), Loudreaders, and Non-Extractive Architecture. They are united in their search to revisit methods and canons of conventional museological traditions. They explore a composite thematic spectrum covering from global design practices invested in decolonising and queering agency, computational, ecological and indigenous knowledge, and present alternative educational and collaborative frameworks of institutional development.
The book integrates 15 interviews with directors and programmers, such as Carson Chan (MoMA, New York), Ikko Yokoyama (M+ Museum, Hong Kong), Aric Chen (Nieuwe Instituut, Rotterdam), Giovanna Borasi (Canadian Centre for Architecture, Montreal), and Lucia Pietroiusti (Serpentine Gallery, London), with a selection of 31 projects and initiatives by independent practitioners and entities beyond the traditional museum, including festivals, websites, podcasts, public programs, and off-spaces. Many of them emerged over the past decade and more intently since the outbreak of the COVID pandemic in 2020. They are evidence of the changing paradigms of public and professional engagement with the discipline of design.
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Acerca del autor
Beatrice Leanza is a cultural strategist, museum director and critic with a background in Asian studies. She has served as executive director of the Museum of Art, Architecture and Technology in Lisbon and as creative director of Beijing Design Week. She is founder of B/Side Design, a consulting agency working with international stakeholders from the public, private and corporate sectors, and co-founder of The Global School, China’s first independent institute dedicated to design and creative research.
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