Neuroscience in Science Fiction Films. Este artículo no está disponible.
Idioma: inglés
Editorial: McFarland and Co Inc, US, 2014
- Tapa blanda
- Nuevo

Librería: Rarewaves.com USA, London, London, Reino UnidoRarewaves.com USA
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EUR 39,84
Descripción del artículo del vendedor
As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.
N° de ref. del artículo LU-9780786472345
- Título
- Neuroscience in Science Fiction Films
- Autor
- Sharon Packer
- Editorial
- McFarland and Co Inc, US
- Año de publicación
- 2014
- Estado
- New
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 0786472340
- ISBN 13
- 9780786472345
- Peso del artículo
- 552 gramos
As the gap between science fiction and science fact has narrowed, films that were intended as pure fantasy at the time of their premier have taken on deeper meaning. This volume explores neuroscience in science fiction films, focusing on neuroscience and psychiatry as running themes in SF and finding correlations between turning points in "neuroscience fiction" and advances in the scientific field. The films covered include The Strange Case of Dr. Jekyll and Mr. Hyde, The Island of Dr. Moreau, Robocop, The Stepford Wives, The Mind Snatchers and iconic franchises like Terminator, Ironman and Planet of the Apes. Examining the parallel histories of psychiatry, neuroscience and cinema, this book shows how science fiction films offer insightful commentary on the scientific and philosophical developments of their times.
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