Nero: Matricide, Music, and Murder in Imperial Rome. Este artículo no está disponible.
Everitt, Anthony; Ashworth, Roddy
779 valoraciones de Goodreads
Idioma: inglés
Editorial: Random House, 2022
- Tapa dura
- Usado

Librería: Goodwill, Brooklyn Park, MN, Estados Unidos de AmericaGoodwill
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Condición: Usado - Aceptable
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Descripción del artículo del vendedor
All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May include "From the library of" labels. Shrink wrap, dust covers, or boxed set case may be missing. Item may be missing bundled media.
N° de ref. del artículo MINV.059313320X.G
- Título
- Nero: Matricide, Music, and Murder in Imperial Rome
- Autor
- Everitt, Anthony; Ashworth, Roddy
- Editorial
- Random House
- Año de publicación
- 2022
- Estado
- good
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 059313320X
- ISBN 13
- 9780593133200
A striking, nuanced biography of Nero—the controversial populist ruler and last of the Caesars—and a vivid portrait of ancient Rome
“Exciting and provocative . . . Nero is a pleasure to read.”—Barry Strauss, author of The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium
The Roman emperor Nero’s name has long been a byword for cruelty, decadence, and despotism. As the stories go, he set fire to Rome and thrummed his lyre as it burned. He then cleared the charred ruins and built a vast palace. He committed incest with his mother, who had schemed and killed to place him on the throne, and later murdered her.
But these stories, left behind by contemporary historians who hated him, are hardly the full picture, and in this nuanced biography, celebrated historian Anthony Everitt and investigative journalist Roddy Ashworth reveal the contradictions inherent in Nero and offer a reappraisal of his life. Contrary to popular memory, the empire was well managed during his reign. He presided over diplomatic triumphs, and his legions overcame the fiery British queen Boudica who led one of the greatest revolts Rome had ever had to face. He loved art, culture, and music, and he won the loyalty of the lower classes with fantastic spectacles. He did not set fire to Rome.
In Nero, ancient Rome comes to life: the fire-prone streets, the deadly political intrigues, and the ongoing architectural projects. In this teeming, politically unstable world, Nero was vulnerable to fierce reproach from the nobility and relatives who would gladly usurp him, and he was often too ready to murder rivals. He had a vision for Rome, but, racked by insecurity, he perhaps lacked the stomach to govern it.
This is the bloodstained story of one of Rome’s most notorious emperors: but in Everitt and Ashworth’s hands, Nero’s life is also a complicated, cautionary tale about the mettle required to rule.
“Exciting and provocative . . . Nero is a pleasure to read.”—Barry Strauss, author of The War That Made the Roman Empire: Antony, Cleopatra, and Octavian at Actium
The Roman emperor Nero’s name has long been a byword for cruelty, decadence, and despotism. As the stories go, he set fire to Rome and thrummed his lyre as it burned. He then cleared the charred ruins and built a vast palace. He committed incest with his mother, who had schemed and killed to place him on the throne, and later murdered her.
But these stories, left behind by contemporary historians who hated him, are hardly the full picture, and in this nuanced biography, celebrated historian Anthony Everitt and investigative journalist Roddy Ashworth reveal the contradictions inherent in Nero and offer a reappraisal of his life. Contrary to popular memory, the empire was well managed during his reign. He presided over diplomatic triumphs, and his legions overcame the fiery British queen Boudica who led one of the greatest revolts Rome had ever had to face. He loved art, culture, and music, and he won the loyalty of the lower classes with fantastic spectacles. He did not set fire to Rome.
In Nero, ancient Rome comes to life: the fire-prone streets, the deadly political intrigues, and the ongoing architectural projects. In this teeming, politically unstable world, Nero was vulnerable to fierce reproach from the nobility and relatives who would gladly usurp him, and he was often too ready to murder rivals. He had a vision for Rome, but, racked by insecurity, he perhaps lacked the stomach to govern it.
This is the bloodstained story of one of Rome’s most notorious emperors: but in Everitt and Ashworth’s hands, Nero’s life is also a complicated, cautionary tale about the mettle required to rule.
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Acerca del autor
Anthony Everitt, a former visiting professor in the visual and performing arts at Nottingham Trent University, has written extensively on European and classical culture. He is the author of Cicero, Augustus, Alexander the Great, Hadrian and the Triumph of Rome, The Rise of Rome, and The Rise of Athens. He has served as secretary general of the Arts Council of Great Britain and lives near Colchester, England’s first recorded town, founded by the Romans.
Roddy Ashworth is an award-winning investigative journalist, former national news editor, and visiting lecturer in media ethics at City University, London.
Roddy Ashworth is an award-winning investigative journalist, former national news editor, and visiting lecturer in media ethics at City University, London.
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