The Nearest Thing To Life: James Wood. Este artículo no está disponible.
Idioma: inglés
Editorial: Vintage Publishing, 1889
Serie: Libro 1 de 5 - Mandel Lectures in the Humanities at Brandeis University
- Tapa blanda
- Usado

Librería: WorldofBooks, Goring-By-Sea, WS, Reino UnidoWorldofBooks
Vendedor de IberLibro desde 16 de marzo de 2007
Condición: Usado - Bueno
EUR 4,18
Descripción del artículo del vendedor
The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
N° de ref. del artículo GOR006536250
- Título
- The Nearest Thing To Life: James Wood
- Autor
- Wood, James
- Editorial
- Vintage Publishing
- Año de publicación
- 1889
- Estado
- Very Good
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 0224102044
- ISBN 13
- 9780224102049
- Peso del artículo
- 259 gramos
- Serie
- Libro 1 de 5: Mandel Lectures in the Humanities at Brandeis University
In this remarkable blend of memoir and criticism, James Wood has written a master class on the connections between fiction and life. He argues that, of all the arts, fiction has a unique ability to describe the shape of our lives, and to rescue the texture of those lives from death and historical oblivion. The act of reading is understood here as the most sacred and personal of activities, and there are brilliant discussions of individual works – among others, Chekhov’s story ‘The Kiss’, W. G. Sebald’s The Emigrants, and Fitzgerald’s The Blue Flower.
Wood reveals his own intimate relationship with the written word: we see the development of a provincial boy growing up in a charged Christian environment, the secret joy of his childhood reading, the links he makes between reading and blasphemy, or between literature and music. The final section discusses fiction in the context of exile and homelessness. The Nearest Thing to Life is not simply a brief, tightly argued book by a man commonly regarded as our finest living critic – it is also an exhilarating personal account that reflects on, and embodies, the fruitful conspiracy between reader and writer (and critic), and asks us to re-consider everything that is at stake when we read and write fiction.
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
“Acerca de” puede pertenecer a otra edición de este título.