Nausea. Este artículo no está disponible.Nausea

Nausea―taken from the title of Sartre’s 1938 existential novel―is a body of photographs that registers the interiors of public schools in Baton Rouge, Louisiana and Atlanta, Georgia from 1990-92 by American pho- tographer Ron Jude. Departing from mere documentation, however, Jude lures us into peering through windows, doorways and crevices of walls into empty classrooms and corridors, as we become increasingly conscious of the perils of our own gaze. Rousing, rather than abating, the uncertainty of looking, Nausea established the building blocks for the next twenty-five years of Jude’s photographic output, including Other Nature, Alpine Star, Lick Creek Line and Lago. At the heart of Nausea lies the premise that philosophical inquiry might be filtered and consumed through photographs, just as it is filtered through Sartre’s work of literary fiction. Taking as his subject the banality of institutional learning, the monotonous spaces and objects captured in Nausea serve as a platform for exploring the nexus between the narrative limitations of photography and consciousness. Employing a distinctive visual language, marked by an acute sense of colour, radical framing and shallow focus, Jude created a world both familiar and uncanny, imbued with a pervasive sense of unease.

Dans la série Nausea, qui tire son nom du livre de Sartre paru en 1938, Ron Jude documente les intérieurs des écoles publiques de Baton Rouge en Louisiane et d´Atlanta en Géorgie, quil fréquenta de 1990 à 1992. Prenant pour sujet la banalité de l´apprentissage en institution, le photographe américain, à travers la monotonie des lieux et objets saisis, évoque aussi les limites narratives de la photo. D´abord exposée en 1992 à la Photographer´s Gallery à Londres, cette série est ici rééditée et augmentée.