Musicians in Transit: Argentina and the Globalization of Popular Music. Este artículo no está disponible.
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Idioma: inglés
Editorial: Duke University Press Books, 2017
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Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).
N° de ref. del artículo 002194663U
- Título
- Musicians in Transit: Argentina and the Globalization of Popular Music
- Autor
- Karush, Matthew B.
- Editorial
- Duke University Press Books
- Año de publicación
- 2017
- Estado
- Good
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 0822362368
- ISBN 13
- 9780822362364
In Musicians in Transit Matthew B. Karush examines the transnational careers of seven of the most influential Argentine musicians of the twentieth century: Afro-Argentine swing guitarist Oscar Alemán, jazz saxophonist Gato Barbieri, composer Lalo Schifrin, tango innovator Astor Piazzolla, balada singer Sandro, folksinger Mercedes Sosa, and rock musician Gustavo Santaolalla. As active participants in the globalized music business, these artists interacted with musicians and audiences in the United States, Europe, and Latin America and contended with genre distinctions, marketing conventions, and ethnic stereotypes. By responding creatively to these constraints, they made innovative music that provided Argentines with new ways of understanding their nation's place in the world. Eventually, these musicians produced expressions of Latin identity that reverberated beyond Argentina, including a novel form of pop ballad; an anti-imperialist, revolutionary folk genre; and a style of rock built on a pastiche of Latin American and global genres. A website with links to recordings by each musician accompanies the book.
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Acerca del autor
Matthew B. Karush is Professor of History at George Mason University. He is the author of Culture of Class: Radio and Cinema in the Making of a Divided Argentina, 1920–1946 and coeditor of The New Cultural History of Peronism: Power and Identity in Mid-Twentieth-Century Argentina, both also published by Duke University Press.
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