The Music of the Modern World, Vol. 1 of 2 (Classic Reprint)
Idioma: inglés
Editorial: Forgotten Books, 2022
- Tapa blanda
- Nuevo
Librería: Forgotten Books, London, Reino UnidoForgotten Books
Vendedor de IberLibro desde 2 de junio de 2021
Condición: Nuevo
EUR 21,53
Cantidad disponible: Más de 20 disponibles
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Print on Demand. This book is a collection of essays on Italian opera, one of the most remarkable and enduring genres of musical theatre in history. The book covers a wide range of topics, from the origins of opera in the Renaissance to its development into a global phenomenon in the nineteenth century. The author explores the music, librettos, and staging of operas by composers such as Monteverdi, Handel, Rossini, Verdi, and Puccini. The book also considers the role of opera in society and its impact on other art forms. Through insightful analysis and vivid examples, the book offers a comprehensive and engaging overview of Italian opera. This book is a reproduction of an important historical work, digitally reconstructed using state-of-the-art technology to preserve the original format. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in the book.
N° de ref. del artículo 9781330300763_0
- Título
- The Music of the Modern World, Vol. 1 of 2 (Classic Reprint)
- Autor
- Fanny Morris Smith
- Editorial
- Forgotten Books
- Año de publicación
- 2022
- Estado
- New
- Tipo de libro
- print-on-demand item
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1330300769
- ISBN 13
- 9781330300763
- Catálogos de vendedores
- Music Theory and History
Scheffer, Eugene Delacroix, and Paul Delaroche, members of circles where music held a supreme interest.
Music is SO nearly allied to painting and sculpture that a picture is Often a better guide to the meaning of a piece than any words - even words Of poetry. The pictorial suggestions Offered in our music pages are only suggestions, but as such may prove stimulating to the imagination of the pianist and singer, especially when they express motion or grace in repose. They Should not be taken too seriously.
It is hardly necessary to add that the music OF the modern world is in no sense an encyclopaedia. Quite as many great artists are unmentioned in its pages as find a place there, quite as many very great composers remain unquoted as are repre sented in its music pages. In the case Of Wagner and Berlioz, the narrow excerpt of a melody, or a Short transcription from works so massive, grand, and full of detail, affords no example Of the genius or style Of those immense contours, whereas the tuneful num bers of Rossini, Gounod, or even Meyerbeer are easily separated from their original environment because they are complete in themselves. Much of the music selected is cameo-like in its dimensions and finish, because only cameos could be contained in SO small a compass as the number of pages at our disposal. The editors have collected a group of melodies that will never become Old while civilization endures. Those culled from Russia, Bohemia, and Hungary are as yet scarcely known in America; they will sur prise as much by their congeniality to American temperament as by their exquisite fresh ness. The illustrations of Hunyady Laszlo, by Pennell, are the fruit Of a season's wan dering in Hungary in search of gipsy music. It is needless to say that the author of the great national opera Of Hungary was not a gipsy, and that the patriotic themes that form the context Of the opera are of the purest Hungarian character.
Special acknowledgments are due to Gunther co. For the care with which they have type-set the piano music. We believe that such feats as the pedal phrasing in Vogel als Prophet have never before been accomplished with music type.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Scheffer, Eugene Delacroix, and Paul Delaroche, members of circles where music held a supreme interest.
Music is SO nearly allied to painting and sculpture that a picture is Often a better guide to the meaning of a piece than any words - even words Of poetry. The pictorial suggestions Offered in our music pages are only suggestions, but as such may prove stimulating to the imagination of the pianist and singer, especially when they express motion or grace in repose. They Should not be taken too seriously.
It is hardly necessary to add that the music OF the modern world is in no sense an encyclopaedia. Quite as many great artists are unmentioned in its pages as find a place there, quite as many very great composers remain unquoted as are repre sented in its music pages. In the case Of Wagner and Berlioz, the narrow excerpt of a melody, or a Short transcription from works so massive, grand, and full of detail, affords no example Of the genius or style Of those immense contours, whereas the tuneful num bers of Rossini, Gounod, or even Meyerbeer are easily separated from their original environment because they are complete in themselves. Much of the music selected is cameo-like in its dimensions and finish, because only cameos could be contained in SO small a compass as the number of pages at our disposal. The editors have collected a group of melodies that will never become Old while civilization endures. Those culled from Russia, Bohemia, and Hungary are as yet scarcely known in America; they will sur prise as much by their congeniality to American temperament as by their exquisite fresh ness. The illustrations of Hunyady Laszlo, by Pennell, are the fruit Of a season's wan dering in Hungary in search of gipsy music. It is needless to say that the author of the great national opera Of Hungary was not a gipsy, and that the patriotic themes that form the context Of the opera are of the purest Hungarian character.
Special acknowledgments are due to Gunther co. For the care with which they have type-set the piano music. We believe that such feats as the pedal phrasing in Vogel als Prophet have never before been accomplished with music type.
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
“Acerca de” puede pertenecer a otra edición de este título.
Forgotten Books
London, Reino Unido
Vendedor de IberLibro desde 2 de junio de 2021
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| Artículo | De 5 a 10 días hábiles | De 5 a 10 días hábiles |
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Forgotten Books’ Classic Reprint Series utilizes the latest technology to regenerate facsimiles of historically important writings. Careful attention has been made to accurately preserve the original format of each page whilst digitally enhancing the quality of the aged text.
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Forgotten Books publica cientos de miles de libros raros y clásicos.
Este libro es una reproducción de una importante obra histórica. Forgotten Books utiliza tecnología de punta para reconstruir digitalmente la obra, preservando el formato original mientras repara las imperfecciones presentes en la copia envejecida. En casos raros, una imperfección en el original, como una imperfección o una página faltante, puede replicarse en nuestra edición. Sin embargo, reparamos con éxito la gran mayoría de las imperfecciones; cualquier imperfección que permanezca se deja intencionalmente para preservar el estado de tales obras históricas.
Este texto se ha restaurado digitalmente a partir de una edición histórica. Algunos errores pueden persistir, sin embargo, consideramos que vale la pena publicarlo debido al valor histórico de la obra.
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