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Ria Christie Collections, Uxbridge, Reino Unido
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Vendedor de AbeBooks desde 25 de marzo de 2015
In. N° de ref. del artículo ria9781385780398_new
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
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<sourceLibrary>Bodleian Library (Oxford)
<ESTCID>N026176
<Notes>Anonymous. By Peter Prelleur. Each part except the last has a separate titlepage. Engraved throughout.
<imprintFull>[London] : Engrav’d, printed, and sold at the Printing-Office in Bow Church Yard. London, 1731. <collation>8 parts,plates : engr.music ; 8°
Reseña del editor:
The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars.
The eighteenth-century fascination with Greek and Roman antiquity followed the systematic excavation of the ruins at Pompeii and Herculaneum in southern Italy; and after 1750 a neoclassical style dominated all artistic fields. The titles here trace developments in mostly English-language works on painting, sculpture, architecture, music, theater, and other disciplines. Instructional works on musical instruments, catalogs of art objects, comic operas, and more are also included.
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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification:
++++
Bodleian Library (Oxford)
N026176
Anonymous. By Peter Prelleur. Each part except the last has a separate titlepage. Engraved throughout.
[London] : Engrav'd, printed, and sold at the Printing-Office in Bow Church Yard. London, 1731. 8 parts,plates : engr.music ; 8°
Título: The Modern Musick-master or, the Universal ...
Editorial: Gale Ecco, Print Editions
Año de publicación: 2018
Encuadernación: Encuadernación de tapa dura
Condición: New