Michael Glancy - Glass | Infinite Obsessions. Este artículo no está disponible.
Idioma: inglés
Editorial: Arnoldsche Verlagsanstalt, 2011
- Tapa dura
- Nuevo

Librería: preigu, Osnabrück, Alemaniapreigu
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EUR 49,80
Descripción del artículo del vendedor
Michael Glancy - Glass | Infinite Obsessions | Michael Glancy | Buch | 228 S. | Englisch | 2011 | Arnoldsche Verlagsanstalt | EAN 9783897903449 | Verantwortliche Person für die EU: arnoldsche Art Publishers, Olgastr. 137, 70180 Stuttgart, art[at]arnoldsche[dot]com | Anbieter: preigu.
N° de ref. del artículo 112350695
- Título
- Michael Glancy - Glass | Infinite Obsessions
- Autor
- Michael Glancy
- Editorial
- Arnoldsche Verlagsanstalt
- Año de publicación
- 2011
- Estado
- Neu
- Encuadernación
- Buch
- Idioma
- inglés
- ISBN 10
- 389790344X
- ISBN 13
- 9783897903449
- Peso del artículo
- 2001 gramos
- Dimensiones
- 270 x 290 x 30 mm
- Catálogos de vendedores
- Bücher
Michael Glancy is widely recognised as a prominent innovator in the field of studio glass. After studying with the critically acclaimed glass artist Dale Chihuly, he found his own artistic personality by combining different techniques: Glancy works with cold glass, which he sculpts through sandblasting and acid-cutting, and then coats with electroformed copper, silver or gold. Elegant and exceptional in their quality and beauty, Michael Glancy's sculptures reveal the artist's pursuit for perfection; fascinated by microscopic landscapes, Glancy translates cellular structures and geological stratifications into impressive sculptural objects. The lattice patterns etched into the glass suggest latitude and longitude, while the organic and undulating vessels allude to topography. Glancy's own very specific mode of presentation - that of a base of sheet glass which shadows or connects to the standing vessel - has become his signature style. It is as if the two-dimensional world of the sheet of glass has developed and warped itself into a three-dimensional object.
This transformation together with his scientific interests, positions his work between alchemy - at the intersection of physics and metaphysics - and conceptual art. Michael Glancy's work is represented in numerous international museums and collections. Since 1982 he has taught and worked at the Rhode Island School of Design.
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