nach der Bestellung gedruckt Neuware - Printed after ordering - A sweeping, beautifully written history of artistic patronage from 1000 to the present day by a Wolfson Prize-winning historian. Marks of Opulence is a magisterial survey of European art and artistic patronage from 1000 until the birth of modernism. Tracing the history from the discovery of silver in the Harz mountains, through the catastrophic effects of plague in the 14th-century, to the studied magnificence of papal and royal courts in the 16th- and 17th-centuries, Platt shows how the great and the good have always used art to bolster political power.Arguing that the acquisitive instinct felt by all of us in different ways is central to the history of Western art, Platt traces how art began to move out of the palaces of the aristocracy into the homes of merchants, bankers and industrialists. From the mid 19th-century onwards, and in the pre-war Belle �poque in particular, it was the immensely wealthy 'robber barons' and their widows in London and Paris, in Berlin and Vienna, in Moscow and Barcelona, in Philadelphia and New York who collected the work of the most innovative artists and broke the hold of the Academies on Western art.Professor Platt's ambitious sweep through a thousand years of artistic endeavour in the West argues throughout that a superfluity of money is the chief driver of high achievement in the arts, and for the transforming power of great riches.

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Detalles bibliogr�ficos

T�tulo: Marks of Opulence : The Why, When and Where of Western Art 1000-1914
Editor: Harper Perennial
Fecha de publicaci�n: 2005
Idioma: Ingl�s
ISBN 10: 0006531563
ISBN 13: 9780006531562
Encuadernaci�n: Taschenbuch
Estado: Neu
Dimensiones: 203�mil�metros de ancho por 127 de alto por 24 de largo
Peso: 482 gramos

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Sinopsis

A sweeping, beautifully written history of artistic patronage from 1000 to the present day by a Wolfson Prize-winning historian.

‘Marks of Opulence’ is a magisterial survey of European art and artistic patronage from 1000 until the birth of modernism. Tracing the history from the discovery of silver in the Harz mountains, through the catastrophic effects of plague in the 14th-century, to the studied magnificence of papal and royal courts in the 16th- and 17th-centuries, Platt shows how the great and the good have always used art to bolster political power.

Arguing that the acquisitive instinct – felt by all of us in different ways – is central to the history of Western art, Platt traces how art began to move out of the palaces of the aristocracy into the homes of merchants, bankers and industrialists. From the mid 19th-century onwards, and in the pre-war Belle �poque in particular, it was the immensely wealthy 'robber barons' and their widows – in London and Paris, in Berlin and Vienna, in Moscow and Barcelona, in Philadelphia and New York – who collected the work of the most innovative artists and broke the hold of the Academies on Western art.

Professor Platt's ambitious sweep through a thousand years of artistic endeavour in the West argues throughout that a superfluity of money is the chief driver of high achievement in the arts, and for the transforming power of great riches.

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Colin Platt is Professor of Art History at Southampton University. He is the author of many books including King Death : A History of the Plague, The Architecture of Medieval Britain, which was awarded the Wolfson Prize for History, and the classic The Medieval Town. He lives in Devon.

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