Man of La Mancha: A Musical Play. Este artículo no está disponible.
3119 valoraciones de Goodreads
Idioma: inglés
Editorial: Random House, 1966
- Tapa blanda
- Usado
Librería: Greenworld Books, arlington, TX, Estados Unidos de AmericaGreenworld Books
Vendedor de 5 estrellas
Vendedor de IberLibro desde 20 de junio de 2025
No disponible
Tapa blanda
Condición: Usado - Bueno
EUR 5,27
Descripción del artículo del vendedor
Fast Free Shipping – Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.
N° de ref. del artículo GWV.0394406192.VG
- Título
- Man of La Mancha: A Musical Play
- Autor
- Wasserman, Dale
- Editorial
- Random House
- Año de publicación
- 1966
- Estado
- very_good
- Encuadernación
- Encuadernación de tapa blanda
- Idioma
- inglés
- ISBN 10
- 0394406192
- ISBN 13
- 9780394406190
- Edición
- 4ª Edición
Winner of the New York Drama Critics Award for Best Musical, 1966
"To me the most interesting aspect of the success of Man of La Mancha is the fact that it plows squarely upstream against the prevailing current of philosophy in the theater. That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.
"To me the most interesting aspect of the success of Man of La Mancha is the fact that it plows squarely upstream against the prevailing current of philosophy in the theater. That current is best identified by its catch-labels--Theater of the Absurd, Black Comedy, the Theater of Cruelty--which is to say the theater of alienation, of moral anarchy and despair. To the practitioners of those philosophies Man of La Mancha must seem hopelessly naive in its espousal of illusion as man's strongest spiritual need, the most meaningful function of his imagination. But I've no unhappiness about that. "Facts are the enemy of truth," says Cervantes-Don Quixote. And that is precisely what I felt and meant."--Dale Wasserman, from the Preface.
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
Dale Wasserman wrote for theater, television, and film for more than fifty years and is best known for the musical Man of La Mancha, a multiple Tony Award winner. He also wrote the stage play One Flew Over the Cuckoo’s Nest, based on Ken Kesey’s novel, which has won several Tony Awards. Both shows continue to be produced nationally and internationally with an estimated 300 productions a year.
“Acerca de” puede pertenecer a otra edición de este título.
Resultados de la búsqueda para Man of La Mancha: A Musical Play
Hay 26 copias más de este libroVer todos los resultados