AS MÃOS E OS FRUTOS.

Os afluentes do silêncio. 2.ª edição, aumentada. Colecção As Mãos e os Frutos, 1.

8°, original printed wrappers (vertical crease mark from head to foot of spine). Title page and half title in green and black. Overall in very good condition. Internally unopened, as new. Author's signed presentation inscription below half title in green ink: "Ao Urbano, // um desejo // de bom Natal, // * e um abraço // do // Eugénio". Loosely inserted is a beige card (6.7 x 9.6 cm.) with the ink manuscript message "Com a muita admiração // e amizade // do [printed in black:] 'JOSÉ DA CRUZ SANTOS' // e votos de paz (autêntica) e alegria para o Novo Ano". 182 pp., (7 ll.), 8 leaves with full-page illustrations on rectos included in pagination, versos solid green with caption in black printed at foot. Fourth unnumbered supplementary leaf recto has "Catálogo de Edições Inova" printed in white on green background, with a view of Porto from Vila Nova de Gaia in white on green to the right, verso blank; followed by two leaves of the catalogue. The final leaf recto is a colophon, verso solid green; p. [1] is also solid green; p. [2] also blank. *** This second, augmented edition was published in December 1970. The first edition appeared in December 1968. There are also editions of 1974, 1979, 1997, and 2013.Among the topics of this collection of essays are Teixeira de Pascoaes, García Lorca, Rosalia de Castro, Ifigénia, Garcia de Resende, António Nobre, and Domingos Peres das Eiras. The illustrations are after Federico García Lorca, Manuel Ribeiro de Pavia, Ângelo de Sousa, Armando Alves, José Rodrigues, Manuel Pinto, Júlio Resende, and Manuel Cargaleiro. There is a bibliography on pp. 179-82.Eugénio de Andrade (Fundão, Póvoa de Atalaia, 1923-Porto, 2005), was a Portuguese poet. He was influenced by António Botto in 1938, published his first book, Narciso, in 1940, and moved to Coimbra in 1943, where he interacted with Miguel Torga and Eduardo Lourenço. In 1947 he began a 35-year career as a public functionary, becoming Inspector Administrativo do Ministério da Saúde. Moving to Porto in 1950, he lived there for the rest of his life. He was the recipient of various awards and other honors, among which were the Prémio da Associação Internacional de Críticos Literários (1986), Prémio D. Dinis da Fundação Casa de Mateus (1988), Grande Prémio de Poesia da Associação Portuguesa de Escritores (1989) e Prémio Camões (2001). In 1982 he was made Grande-Oficial da Ordem Militar de Sant'Iago da Espada, and in 1989 he received the Grã-Cruz da Ordem do Mérito. In addition to dozens of volumes of poems, he has published several of prose, and at least eight volumes of translations, including four of García Lorca.Eugénio de Andrade was not openly gay in the public sphere, although many of his poems contain homoerotic tones and themes, as noted by Portuguese literary critics. Eduardo Pitta alludes to this, and the problem of defining a genre of "literatura gay" in Portugal: ? [A] ?libertação? dos interditos do que a revolução de 1974, a ninguém espantará que a negação dos escritores gay seja uma attitude colectiva e peremptoria. Ora, sem escritores gay, não pode haver literatura gay. Tomemos como paradigma o caso de Eugénio de Andrade.? Eduardo Pitta, Fractura: A condição homossexual na literatura portuguesa contemporânea, Coimbra: Angelus Novus, 2003, p. 9. Further, in a journal published by the Universidade de Aveiro, Forma Breve: ?[E]xiste um certo silêncio, na imprensa e canais televisivos, acerca da orientação sexual do poeta Eugénio de Andrade (1923 -2005), tornando essa faceta pouco conhecida ou incógnita junto do público. Os documentários Eugénio de Andrade, O Poeta, e Eugénio de Andrade, Rosto Precário, realizados por Jorge Campos para a RTP, e transmitidos em 6 de Novembro de 1993, não abordam a questão, apesar do seu pendor biográfico. É verdade que, num deles, Eduardo Lourenço menciona a afectividade do poeta, na esfera do masculino, mas trata-se de uma alusão tão vaga quanto passageira. Efectivamente, o homoerotismo escrito na poesia deste autor raras vezes é descrito nas páginas do ensaio académico.? (João de Mancelos, ?Love Flesh/Carne de Amor: Metáforas do homoerotismo em Walt Whitman e em Eugénio de Andrade? Forma Breve, 7, 2007, pp. 129-143, 130; emphasis is author's own). Also on the homoeroticism in António Botto and Eugénio de Andrade, see António Manuel Ferreira, ?Os poemas em prosa de Eugénio de Andrade? in Forma Breve, 2, 2004, pp. 59-70, 68.Provenance: José da Cruz Santos, whose Editorial Inova was one of the most relevant publishers in Portugal during the 1970s, was sympathetic to the Portuguese Communist Party. Earlier he had worked for Portugália Editora in Lisbon from 1963; later he founded another important publishing house in Porto, Editora O Oiro do Dia.Urbano Tavares Rodrigues (Lisbon, 1923-Lisbon, 2013) grew up in Moura, in the Alentejo, in a family of large landowners, and eventually became a militant communist. He was a widely acclaimed and prolific author of fiction, researcher, essayist, literary critic, professor Catedrático jubilado at the Faculdade de Letras, Universidade de Lisboa, member of the Academia das Ciências de Lisboa, and recipient of many literary prizes. His earliest works were greatly influenced by existentialism, in particular following the literary model of Albert Camus. Simultaneously they display a certain Portuguese turn-of-the-century decadence, particularly influenced by Fialho de Almeida (especially obsessive evocations of the Alentejo), António Patrício and Manuel Teixeira Gomes, all of whom were discussed by Urbano Tavares Rodrigues in critical essays and later in his doctoral thesis. See Machado, Dicionário de literatura portuguesa, pp. 422-3; Cristina Robalo Cordeiro in Biblos, IV, 909-13; Dicionário cronológico de autores portugueses, V, 296-8; Jacinto Prado Coelho, ed., Dicionário de literatura (4th ed.), I, 203; II, 509; III, 954; Actualização, pp. 681-2.*** See Fernando Guimarães in Machado, ed., Dicionário de literatura portuguesa, pp. 34-5; Nº de ref. del artículo: 42456

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