Love Above All and Other Drawings: 120 Works
Idioma: inglés
Editorial: Dover Publications Inc., 2012
- Tapa blanda
- Usado
Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
Vendedor de IberLibro desde 20 de diciembre de 2007
Condición: Usado - Aceptable
EUR 5,49
Cantidad disponible: 1 disponible
Añadir al carritoDescripción del artículo del vendedor
The locale of these 120 brilliantly satiric drawings is that of Berlin in the 1920s, but a most remarkable thing about them is their startling contemporaneity. We have to keep reminding ourselves that they were not drawn in New York, London, and Paris of the twenty-first century but in the sensation-hungry, inflation-fed milieu of the Weimar Republic.-On an Expense Account, - for example, shows a well-fed businessman and his wife. We see only his back and neck, note her tastelessly modish skirts, and we know the whole story. -Total Devotion from 5:00 to 7:00- is a cocktail-bar scene, and in the dancing of the slick-haired man and the posture of his partner there is something depraved because it is only sensual. -Lunch- depicts a matron with unmistakably porcine features holding knife and fork affectedly as she swills. Her dining partner needs no animalization; the blase bag below his eye, the expression, and the fold below his chin are enough.Can prostitutes, contrary to sentimental folklore, appear smug, bloated with satisfaction, and wallowing in cheap gratification? See -Transit Trade- to realize the effects of mindless materialism. Schiller wrote, -Swim if you can and if you are too weak, sink.- Grosz takes this as his text for a compelling contrast between rich and poor in just two figures that completely refute the Ubermensch doctrine. Hemingway in Nada did not depict more tellingly the utter despair of empty lives in the hour when the cafe closes than does Grosz in -They Don't Sing Any More.- Love Above All? We are only partway through this portfolio when we realize suddenly how bitterly sarcastic is the title.But the mordant eye, angry wit, and social consciences of Grosz were shared by many of his period. What lifts his art above the transient event is his supremely eloquent use of pen and brush. No one has more expressively, piercingly, and economically, drawn the scenes of his special civilization--so strangely like ours -- than did George Grosz.…
N° de ref. del artículo CIN0486226751G
- Título
- Love Above All and Other Drawings: 120 Works
- Autor
- George Grosz
- Editorial
- Dover Publications Inc.
- Año de publicación
- 2012
- Estado
- Good
- Encuadernación
- Encuadernación de tapa blanda
- Idioma
- inglés
- ISBN 10
- 0486226751
- ISBN 13
- 9780486226750
“Sinopsis” puede pertenecer a otra edición de este título.
De la contraportada
The locale of these 120 brilliantly satiric drawings is that of Berlin in the 1920s, but a most remarkable thing about them is their startling contemporaneity. We have to keep reminding ourselves that they were not drawn in New York, London, and Paris of the twenty-first century but in the sensation-hungry, inflation-fed milieu of the Weimar Republic.
"On an Expense Account," for example, shows a well-fed businessman and his wife. We see only his back and neck, note her tastelessly modish skirts, and we know the whole story. "Total Devotion from 5:00 to 7:00" is a cocktail-bar scene, and in the dancing of the slick-haired man and the posture of his partner there is something depraved because it is only sensual. "Lunch" depicts a matron with unmistakably porcine features holding knife and fork affectedly as she swills. Her dining partner needs no animalization; the blasé bag below his eye, the expression, and the fold below his chin are enough.
Can prostitutes, contrary to sentimental folklore, appear smug, bloated with satisfaction, and wallowing in cheap gratification? See "Transit Trade" to realize the effects of mindless materialism. Schiller wrote, "Swim if you can and if you are too weak, sink." Grosz takes this as his text for a compelling contrast between rich and poor in just two figures that completely refute the Übermensch doctrine. Hemingway in Nada did not depict more tellingly the utter despair of empty lives in the hour when the café closes than does Grosz in "They Don't Sing Any More." Love Above All? We are only partway through this portfolio when we realize suddenly how bitterly sarcastic is the title.
But the mordant eye, angry wit, and social consciences of Grosz were shared by many of his period. What lifts his art above the transient event is his supremely eloquent use of pen and brush. No one has more expressively, piercingly, and economically, drawn the scenes of his special civilization—so strangely like ours—than did George Grosz.
Dover unabridged republication of Über alles di Liebe and Die Gezeichneten, both Berlin, 1930.
“Acerca de” puede pertenecer a otra edición de este título.
World of Books (was SecondSale)
Montgomery, IL, Estados Unidos de America
Vendedor de IberLibro desde 20 de diciembre de 2007
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Founded in 2002, World of Books is a leading online destination for buying and selling both preloved and new books, committed to making sustainable reading accessible to all. With a mission to help people read more and waste less, World of Books offers a huge range of affordable, high-quality books — giving both new and preloved titles a second life. The company also operates World of Books – Sell Your Books, an easy-to-use platform that allows customers to trade in unwanted books for cash, helping to keep books in circulation while promoting sustainability. As a Certified B Corp, World of Books is driven by a vision to become the world’s largest and most sustainable dedicated online bookstore. The company measures its success through the positive environmental impact it creates, the value it provides to customers, and its ability to operate profitably while supporting its sustainable mission …
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