Louise Bourgeois. Este artículo no está disponible.
Idioma: inglés
Editorial: Rizzoli International Publications, 2019
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N° de ref. del artículo B9780847866151
- Título
- Louise Bourgeois
- Autor
- F. Morris
- Editorial
- Rizzoli International Publications
- Año de publicación
- 2019
- Estado
- New
- Encuadernación
- Paperback / softback
- Idioma
- inglés
- ISBN 10
- 0847866157
- ISBN 13
- 9780847866151
- Peso del artículo
- 1530 gramos
The most complete overview of groundbreaking artist Louise Bourgeois's sculptures, textiles, and prints is now available as an accessible paperback.
Louise Bourgeois's beguiling body of work encompasses spiders, cages, architectural sculptures, fragile human figures, and amorphous erotic forms. Strongly influenced by surrealism, abstract expressionism, and minimalism, she remains among the most prominent female contemporary artists of the twentieth and twenty-first centuries. An overview of Bourgeois's career, this book begins with a series of essays before delving into encyclopedic entries on the themes and concepts most essential to the artist's practice. A glossary of terms ranging from "etching" and "existentialism" to "Mapplethorpe" and "maternity" contains excerpts from interviews, diary entries, texts, and more than 300 illustrations to provide the reader with multiple points of entry into Bourgeois's complex and nonlinear world. The tenth-anniversary reissue makes this peerless resource available to all touched by Bourgeois's influential practice.
Her staggering variety of mediums includes rubber, wood, stone, metal, and fabric. In 1993, she represented the United States at the Venice Biennale. An overview of Bourgeois's career, this book covers individual works, art movements, other artists, and themes that have played an important role in her life and art, with text by acclaimed authors and critics, including Julia Kristeva, Elisabeth Lebovici, Frances Morris, Mignon Nixon, Linda Nochlin, Robert Storr, Alex Potts, Marina Warner, and Deborah Wye
Louise Bourgeois's beguiling body of work encompasses spiders, cages, architectural sculptures, fragile human figures, and amorphous erotic forms. Strongly influenced by surrealism, abstract expressionism, and minimalism, she remains among the most prominent female contemporary artists of the twentieth and twenty-first centuries. An overview of Bourgeois's career, this book begins with a series of essays before delving into encyclopedic entries on the themes and concepts most essential to the artist's practice. A glossary of terms ranging from "etching" and "existentialism" to "Mapplethorpe" and "maternity" contains excerpts from interviews, diary entries, texts, and more than 300 illustrations to provide the reader with multiple points of entry into Bourgeois's complex and nonlinear world. The tenth-anniversary reissue makes this peerless resource available to all touched by Bourgeois's influential practice.
Her staggering variety of mediums includes rubber, wood, stone, metal, and fabric. In 1993, she represented the United States at the Venice Biennale. An overview of Bourgeois's career, this book covers individual works, art movements, other artists, and themes that have played an important role in her life and art, with text by acclaimed authors and critics, including Julia Kristeva, Elisabeth Lebovici, Frances Morris, Mignon Nixon, Linda Nochlin, Robert Storr, Alex Potts, Marina Warner, and Deborah Wye
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Acerca del autor
Julia Kristeva is a Bulgarian-French philosopher, literary critic, psychoanalyst, feminist, and, most recently, novelist, who is now a professor emeritus at the University Paris Diderot.
Elisabeth Lebovici is a French art historian, journalist, and critic. Her work grapples with gender and sexuality.
Frances Morris is the director of the Tate Modern art gallery in London, succeeding Chris Dercon in January 2016.
Mignon Nixon is an American academic. She is Professor of Modern and Contemporary Art History at University College London.
Linda Nochlin was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer.
Robert Storr is an American curator, critic, and former Dean of the Yale University School of Art.
Alex Potts is Max Loehr Collegiate Professor of History of Art, University of Michigan.
Marina Sarah Warner, DBE, FRSL, FBA (born 1946) is a British novelist, short story writer, historian, and mythographer.
Deborah Wye organized a 1982 retrospective exhibition devoted to Louise Bourgeois, then 70 years old. It was the museum's first one-person survey of a woman artist in well over 30 years.
Elisabeth Lebovici is a French art historian, journalist, and critic. Her work grapples with gender and sexuality.
Frances Morris is the director of the Tate Modern art gallery in London, succeeding Chris Dercon in January 2016.
Mignon Nixon is an American academic. She is Professor of Modern and Contemporary Art History at University College London.
Linda Nochlin was an American art historian, Lila Acheson Wallace Professor Emerita of Modern Art at New York University Institute of Fine Arts, and writer.
Robert Storr is an American curator, critic, and former Dean of the Yale University School of Art.
Alex Potts is Max Loehr Collegiate Professor of History of Art, University of Michigan.
Marina Sarah Warner, DBE, FRSL, FBA (born 1946) is a British novelist, short story writer, historian, and mythographer.
Deborah Wye organized a 1982 retrospective exhibition devoted to Louise Bourgeois, then 70 years old. It was the museum's first one-person survey of a woman artist in well over 30 years.
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