The Logic of Nature, The Romance of Space : Elements of Canadian Modernist Painting

Cassandra Getty; Adam Lauder; Sarah Stanners; Lisa Daniels

ISBN 10: 0919837808 ISBN 13: 9780919837805

Editorial: Gallery, 2010

Idioma: Ingl�s

Condici�n: Usado - Bueno Encuadernaci�n de tapa dura

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Descripci�n

Minor shelf and handling wear, overall a clean solid copy with minimal signs of use. An excellent copy, gently worn; Secure packaging for safe delivery. 2.55.

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Detalles bibliogr�ficos

T�tulo

The Logic of Nature, The Romance of Space : Elements of Canadian Modernist Painting

Editor

Gallery

Fecha de publicaci�n

2010

Idioma

Ingl�s

ISBN 10

0919837808

ISBN 13

9780919837805

Encuadernaci�n

Hardcover

Estado

Very Good

Estado de la sobrecubierta

No Jacket

Cat�logos de vendedores

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Sinopsis

The work of Kathleen Munn and Lowrie Warrener represents some of the earliest abstract art in Canada as it first emerged during the 1920s and 30s. Munn, a New York trained and Toronto-based artist, exhibited regularly until the late 1930s. Warrener also worked in Toronto during the 1920s and 30s. They both contributed paintings to the official Group of Seven exhibition held in 1928 and were included in that year’s influential Yearbook of the Arts book compiled by renowned artist and writer Bertram Brooker. Having achieved success, both careers were cut short by the Depression, war, and lack of support. This publication provides a rare look at the work of two of Canada’s most innovative modernists. Their unique paintings, drawing and prints, which range from Cubist images of people to electrically hued and patterned landscapes, diverged radically from the mainstream art of the day.

De la contraportada

The work of Kathleen Munn and Lowrie Warrener represents some of the earliest abstract art in Canada as it first emerged during the 1920s and 30s. Munn, a New York trained and Toronto-based artist, exhibited regularly until the late 1930s. Warrener also worked in Toronto during the 1920s and 30s. They both contributed paintings to the official Group of Seven exhibition held in 1928 and were included in that year s influential Yearbook of the Arts book compiled by renowned artist and writer Bertram Brooker. Having achieved success, both careers were cut short by the Depression, war, and lack of support. This publication provides a rare look at the work of two of Canada s most innovative modernists. Their unique paintings, drawing and prints, which range from Cubist images of people to electrically hued and patterned landscapes, diverged radically from the mainstream art of the day.

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