Literature and Visual Technologies : Writing After Cinema. Este artículo no está disponible.Literature and Visual Technologies : Writing After Cinema

List of Illustrations Notes on Contributors Acknowledgements Introductions; J.Murphet & L.Rainford PART 1: PARAMETERS On Impurity: The Dialectics of Cinema and Literature; C.MacCabe How Newness Enters the World: The Birth of Cinema and the Origins of Man; L.Marcus PART 2: MODERNISMS International Media, International Modernism and the Struggle with Sound; M.North Gertrude Stein’s Machinery of Perception; J.Murphet H.D.’s The Gift : an ’endless storeroom of film’; R.Connor Ulysses in Toontown: ’Vision Animated to Bursting Point’ in Joyce’s ’Circe’; K.Williams PART 3: BRIDGES Len Lye and Laura Riding in the 1930s: The Impossibility of Film and Literature; T.Armstrong Writing the Alphabet of Cinema: Blaise Cendrars; E.Robertson The Grammar of Time: Photography, Modernism and History; E.Gualtieri PART 4: AFTER THE MODERN How to Read the Image?: Beckett’s Televisual Memory; L.Rainford Writing Images, Images of Writing: Tom Phillips’s A Humument and Peter Greenaway’s Textual Cinema; A.Plotnitsky & P.Geyh Index

JULIAN MURPHET is currently Lecturer in English at the University of Sydney. He has published on Los Angeles fiction and postmodernism, including Literature and Race in Los Angeles (2001). - LYDIA RAINFORD is a Junior Research Fellow at St Hugh's College, Oxford. She has published on Samuel Beckett, modern literature and theory.