Life and Works of Alexander Anderson, M.D.: The First American Wood Engraver Learn how a New York boy born in 1775 became a pioneering artist of American printmaking, shaping a nation’s visual culture. This biography tracks Alexander Anderson’s path from a curious child copying engravings to a recognized engraver and physician whose work graced early books and papers.

The book combines narrative with rich illustrations and period details. It chronicles his childhood, early studies, and the rise of his craft, alongside the personal trials of a life spent between art and medicine. Expect vivid context for 18th–century engraving, along with primary materials that illuminate his methods and influence.

How Anderson discovered art and learned engraving as a teenager.

His dual path as a medical student and a practicing engraver.

Illustrations and frontispieces that reveal his contribution to early American printmaking.

Appendices featuring his Autobiography and diary excerpts for a closer look at his era.

Ideal for readers interested in American art history, genealogy, and the early practice of engraving in the United States.

Rese�a del editor

Excerpt from Life and Works of Alexander Anderson, M.D: The First American Wood Engraver

In preparing the present work, the author has carefully studied the existing material, and has made numerous extracts from the Diary of Dr. Anderson for the years 17 95 - 17 98. These extracts are particularly interesting as throwing a side light on the details of an uneventful but worthy and use ful career.

The illustrations, nearly forty in number, have been selected as showing his progress in the art from his earliest wood-cuts for The Looking Glass for the Mind to his own portrait, engraved in his best style in his eighty-first year.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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