T�tulo: Liber Veritatis, or a Collection of Prints, After the Original Designs of Claude Le Lorrain, Vol 1 In the Collection of His Grace the Duke of Devonshire Classic Reprint
Editor: Forgotten Books
Fecha de publicaci�n: 2018
Idioma: Ingl�s
ISBN 10: 1527813266
ISBN 13: 9781527813267
Encuadernaci�n: PAP
Estado: New
Peso: 89 gramos

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Sinopsis

Excerpt from Liber Veritatis, or a Collection of Prints, After the Original Designs of Claude Le LorrainAbout the PublisherForgotten Books publishes hundreds of thousands of rare and classic books.This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.The digital edition of all books may be viewed on our website before purchase.

Rese�a del editor

Excerpt from Liber Veritatis, or a Collection of Prints, After the Original Designs of Claude Le Lorrain, Vol. 1: In the Collection of His Grace the Duke of Devonshire

The curiosity, by which we are influenced to inquire into the lives of those who have excelled in the Fine Arts, may perhaps be resolved into two principles.

We acknowledge ourselves indebted to those, who have contributed highly to our amusement; and we are willing to manifest our sense of the obligation, by cherishing their memories. It is a natural object of curiosity also, to wish to learn by what means they arrived at the degree of eminence which they have attained. There is too, sometimes, a close connection between the Life of the Artist and his Performances; and the incidents of the one, however unimportant, may serve to illustrate and explain the other.

It is not, indeed, from the exactness of the imitation alone, but from the nature of the thing imitated also, that the pleasure, which the works of Painting afford us, is derived.

And it seems often to be lamented, therefore, that much art of penciling, and much brilliancy of colouring, have been bestowed on the representation of objects which are familiar to our eyes, and which do not interest our imagination - on the imitation of the most common animals, of domestic utensils, and Still Life.

We are, without doubt, far more obliged to those Artists, who set before us such objects as our imagination cannot readily supply; who place the actions of great men immediately in our view, and imitate even the various passions of the mind; or who transport the scenes of distant countries into our own, and exhibit to us judicious combinations of the most beautiful objects of nature.

Among those whom we stand especially indebted to, in this latter respect, none is more deservedly eminent (since no one ever lived in the midst of -more enchanting scenes, or used more diligence to avail himself of the opportunities he enjoyed) than claude Giants, known more commonly, from the country which gave him birth, by the name of claude LE lorrain.

A long life, spent in continual imitation of the richest scenes of Nature, served to produce those many distinguished works, which have justly placed the name of Claude foremost in the Annals of Painting.

About the Publisher

Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com

This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

"Sobre este t�tulo" puede pertenecer a otra edici�n de este libro.

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