Letters of James Agee to Father Flye. Este artículo no está disponible.Letters of James Agee to Father Flye

“I’ll croak before I write ads or sell bonds—or do anything except write.”

James Agee’s father died when he was just six years old, a loss immortalized in his Pulitzer Prize–winning novel, A Death in the Family. Three years later, Agee’s mother moved the mourning family from Knoxville, Tennessee, to the campus of St. Andrew’s, an Episcopal boarding school near Sewanee. 

There, Agee met Father James Harold Flye, who would become his history teacher. Though Agee was just ten, the two struck up an unlikely and enduring friendship, traveling Europe by bicycle and exchanging letters for thirty years, from Agee’s admission to Exeter Academy to his death at forty-five. The intimate letters, collected by Father Flye after Agee’s death, form the most intimate portrait of Agee available, a starkly revealing account of the internal and external life of a tortured twentieth-century genius. Agee candidly shares his struggles with depression, professional failure, and a tumultuous personal life that included three wives and four children. 

First published in 1962, Letters of James Agee to Father Flye followed the rediscovery of Agee’s Let Us Now Praise Famous Men and the posthumous publication of A Death in the Family, which won the 1958 Pulitzer Prize and became a hit Broadway play and film. The collection sold prolifically throughout the 1960s and ’70s in mass-market editions as a new generation of readers discovered the deep talents of the writer Dwight Macdonald called “the most broadly gifted writer of our American generation.”

James Agee (1909–1955) was born in Knoxville, Tennessee. He graduated from Harvard in 1932 and was hired as a staff writer at Henry Luce’s Fortune magazine. His collection of poetry, Permit Me Voyage, won the Yale Series of Younger Poets competition and was published in 1934. Though he hoped to dedicate himself full-time to poetry and fiction, Agee would remain a Time, Inc., writer for fourteen years, winning high praise from Luce himself, who considered Agee’s Fortune essay on the Tennessee Valley Authority to be the best the magazine ever published. (For his part, Agee fantasized about shooting Luce.) His book about Alabama tenant farmers during the Depression, Let Us Now Praise Famous Men, a collaboration with the photographer Walker Evans, appeared in 1941. The book was a commercial and critical failure, selling just six hundred copies in its first year of publication. Agee was later renowned for his film criticism, which appeared regularly in The Nation and Time. He cowrote the screenplays for The African Queen and The Night of the Hunter, as well as a screenplay for Charlie Chaplin, though it was never produced. Agee died of a heart attack in a New York City taxicab at forty-five. Two years later, his novel, A Death in the Family, was published and won the Pulitzer Prize. Let Us Now Praise Famous Men was republished in 1960 and hailed, on its rerelease, as an American classic. In 2013, Cotton Tenants: Three Families, a rediscovered magazine article about the Alabama tenant families, was published to critical acclaim. 

James Harold Flye (1884–1985) was an Episcopal priest and teacher. He spent thirty-six years at St. Andrew’s school in Tennessee, and later served as a pastor at St. Luke’s in New York. 

Robert Phelps (1922–1989) was an editor, author, and translator. He was a cofounder of Grove Press and edited works by Colette and Jean Cocteau.