Sinopsis
are numerous in-depth studies of student learning processes but, let me confess it, I found these singularly unhelpful while nervously waiting to take the plunge. Consequently, my own advice is, frankly, downright earthyl Notwithstanding educational theorists (who are all-too frequently arts men), I take it as axiomatic that the existing pattern of lectures, tutorials, practicals, etc. , common throughout higher scientific education, will persist for some time to come. A special word of thanks is due to Pearline Daniels, not only for translating my scrawl into typescript, but for the many helpful noises made at appropriate times. Peter Hor robin also made many helpful comments. My thanks go to him and, indeed, to all those colleagues who had their say. Alan J. 'Walton April 1970 Contents v PREFACE 1 1 What they expect 2 Course planning 5 13 3 Lecture writing 4 The world premiere 21 5 On stage 31 6 The blackboard 41 7 Screened 49 8 Demonstrations 61 9 Tutorials 73 10 Seminars, colloquia, symposia, and such-like 83 11 Conferences 90 12 Facing the music 98 Bibliography 104 to all those who provoked me into taking up my pen CHAPTER I What they expect Come this September it will be nine years since we forsook the world. Three years squandered on a B. Se. , three years devoted to a Ph. D. , and three years honoured with a Fellow ship which is about to be terminated.
Acerca del autor
Charlotte y Peter Fiell son dos autoridades en historia, teoría y crítica del diseño y han escrito más de sesenta libros sobre la materia, muchos de los cuales se han convertido en éxitos de ventas. También han impartido conferencias y cursos como profesores invitados, han comisariado exposiciones y asesorado a fabricantes, museos, salas de subastas y grandes coleccionistas privados de todo el mundo. Los Fiell han escrito numerosos libros para TASCHEN, entre los que se incluyen 1000 Chairs, Diseño del siglo XX, El diseño industrial de la A a la Z, Scandinavian Design y Diseño del siglo XXI.
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