Paperback. [To] The Last [Be] Human collects fourextraordinary poetry books-Sea Change, Place, Fast, and Runaway-byPulitzer Prize winner Jorie Graham.From the introduction by Robert Macfarlane: The earliest of the poems in this tetralogy were written at373 parts per million of atmospheric CO2, and the most recent at 414 parts permillion; that is to say, in the old calendar, 2002 and 2020 respectively. Thebody of work gathered here stands as an extraordinary lyric record of thoseeighteen calamitous years: a glittering, teeming Anthropocene journal, writtenfrom within the New Climatic Regime (as Bruno Latour names the present), rifewith hope and raw with loss, lush and sparse, hard to parse and hugely powerfulto experience . Graham's poems are turned to face our planet's deep-timefuture, and their shadows are cast by the long light of the will-have-been. Butthey are made of more durable materials than granite and concrete, they arevery far from passive, and their tasks are of record as well as warning: topreserve what it has felt like to be a human in these accelerated years when'the future / takes shape / too quickly,' when we are entering 'a time / beyondbelief.' They know, these poems, and what they tell is precise to their form.Sometimes they are made of ragged, hurting, hurtling, and body-fleeinglanguage; other times they celebrate the sheer, shocking, heart-stopping giftof the given world, seeing light, tree, sea, skin, and star as a 'whirling robehumming with firstness,' there to 'greet you if you eye-up.' I know not to mistake the pleasures of this poetry forpresentist consolation; the situation has moved far beyond that: 'Wind would benice but / it's only us shaking.' . To read these four twenty-first-centurybooks together in a single volume is to experience vastly complex patternsforming and reforming in mind, eye, and ear. These poems sing withinthemselves, between one another, and across collections, and the song thatjoins them all is uttered simply in the first lines of the last poem of thelast book: The earth said remember me. The earth said don't let go, said it one day when I was accidentally listening. "[To] the Last [Be] Human collects four extraordinary poetry books-Sea Change, Place, Fast, and Runaway-by Pulitzer Prize winner Jorie Graham. With an introduction by Robert MacFarlane"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Detalles bibliogr�ficos

T�tulo: [To] The Last [Be] Human (Paperback)
Editor: Copper Canyon Press,U.S.
Fecha de publicaci�n: 2022
Idioma: Ingl�s
ISBN 10: 155659660X
ISBN 13: 9781556596605
Encuadernaci�n: Paperback
Estado: new

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Sinopsis

[To] The Last [Be] Human collects fourextraordinary poetry books�Sea Change, Place, Fast, and Runaway�byPulitzer Prize winner Jorie Graham.

From the introduction by Robert Macfarlane:

The earliest of the poems in this tetralogy were written at373 parts per million of atmospheric CO2, and the most recent at 414 parts permillion; that is to say, in the old calendar, 2002 and 2020 respectively. Thebody of work gathered here stands as an extraordinary lyric record of thoseeighteen calamitous years: a glittering, teeming Anthropocene journal, writtenfrom within the New Climatic Regime (as Bruno Latour names the present), rifewith hope and raw with loss, lush and sparse, hard to parse and hugely powerfulto experience � Graham�s poems are turned to face our planet�s deep-timefuture, and their shadows are cast by the long light of the will-have-been. Butthey are made of more durable materials than granite and concrete, they arevery far from passive, and their tasks are of record as well as warning: topreserve what it has felt like to be a human in these accelerated years when�the future / takes shape / too quickly,� when we are entering �a time / beyondbelief.� They know, these poems, and what they tell is precise to their form�.Sometimes they are made of ragged, hurting, hurtling, and body-fleeinglanguage; other times they celebrate the sheer, shocking, heart-stopping giftof the given world, seeing light, tree, sea, skin, and star as a �whirling robehumming with firstness,� there to �greet you if you eye-up.�

I know not to mistake the pleasures of this poetry forpresentist consolation; the situation has moved far beyond that: �Wind would benice but / it�s only us shaking.� � To read these four twenty-first-centurybooks together in a single volume is to experience vastly complex patternsforming and reforming in mind, eye, and ear. These poems sing withinthemselves, between one another, and across collections, and the song thatjoins them all is uttered simply in the first lines of the last poem of thelast book:

The earth said

remember me.

The earth said

don�t let go,

said it one day

when I was

accidentally

listening�

Acerca de los autores

Jorie Graham is the author of a dozen collections of poetry, including The Dream of the Unified Field, which won the Pulitzer Prize. She divides her time between western France and Cambridge, Massachusetts, where she teaches at Harvard University.

Robert Macfarlane is the author of prize-winning and bestselling books about landscape, nature, people and place, including Underland: A Deep Time Journey (2019). His work has been translated into many languages, won prizes around the world, and his books have been widely adapted for film, television, stage and radio. He has collaborated with artists, film-makers, actors, photographers and musicians, including Hauschka, Willem Dafoe, Karine Polwart and Stanley Donwood. In 2017 he was awarded the E.M. Forster Prize for Literature by the American Academy of Arts and Letters.

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