Language Death Night Outside: Poem.Novel. Este artículo no está disponible.
16 valoraciones de Goodreads
Idioma: inglés
Editorial: Burning Deck, 2009
- Tapa blanda
- Usado

Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de AmericaThriftBooks-Dallas
Vendedor de 5 estrellas
Vendedor de IberLibro desde 2 de julio de 2009
No disponible
Tapa blanda
Condición: Usado - Bueno
EUR 27,94
Descripción del artículo del vendedor
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
N° de ref. del artículo G1886224994I4N00
- Título
- Language Death Night Outside: Poem.Novel
- Autor
- Peter Waterhouse
- Editorial
- Burning Deck
- Año de publicación
- 2009
- Estado
- Very Good
- Sobrecubierta
- No Jacket
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 1886224994
- ISBN 13
- 9781886224995
- Peso del artículo
- 0,4 libras
Poetry. Fiction. Cross-Genre. An "I" between languages. A text between genres. The Austrian grandfather's death triggers an examination of the past, of history, identity, consciousness. Three poems (by Zanzotto, Celan, Rakosi) and three philosophers (Descartes, Leibniz, Mach) become touchstones for the narrator in his attempt to find a language that is impersonal even while saying "I." A life is created through precise particulars in short, anaphoric sentences--with an effect both staccato and hypnotic. But the effort toward the concrete and definite ("I forced myself to use main clauses, nouns, the definite article") stands in tension with the boundlessness encountered in the poems and in thinking where the city turns ship and a yellow flower in Vienna touches the sand dunes of North Africa.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Poetry. Fiction. Cross-Genre. An "I" between languages. A text between genres. The Austrian grandfather's death triggers an examination of the past, of history, identity, consciousness. Three poems (by Zanzotto, Celan, Rakosi) and three philosophers (Descartes, Leibniz, Mach) become touchstones for the narrator in his attempt to find a language that is impersonal even while saying "I." A life is created through precise particulars in short, anaphoric sentences--with an effect both staccato and hypnotic. But the effort toward the concrete and definite ("I forced myself to use main clauses, nouns, the definite article") stands in tension with the boundlessness encountered in the poems and in thinking where the city turns ship and a yellow flower in Vienna touches the sand dunes of North Africa.
“Acerca de” puede pertenecer a otra edición de este título.