Land Art in Great Britain: A Complete Guide to Landscape, Environmental, Earthworks, Nature, Sculpture and Installation Art in Great Britain
Idioma: inglés
Editorial: Crescent Moon Publishing, 2013
- Tapa dura
- Usado
Librería: Phatpocket Limited, Waltham Abbey, HERTS, Reino UnidoPhatpocket Limited
Vendedor de IberLibro desde 28 de abril de 2005
Condición: Usado - Aceptable
EUR 48,88
Cantidad disponible: 1 disponible
Añadir al carritoDescripción del artículo del vendedor
Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
N° de ref. del artículo Z1-AA-005-00518
- Título
- Land Art in Great Britain: A Complete Guide to Landscape, Environmental, Earthworks, Nature, Sculpture and Installation Art in Great Britain
- Autor
- Malpas, William
- Editorial
- Crescent Moon Publishing
- Año de publicación
- 2013
- Estado
- Good
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 1861714025
- ISBN 13
- 9781861714022
- Edición
- 3ª Edición
A new book on land art in Great Britain. There are chapters on land artists such as Chris Drury, Hamish Fulton, David Nash, Richard Long and Andy Goldsworthy. All of the major practitioners of land and environmental art in the U.K. are discussed. The book also considers prehistoric art, stone circles, Romanticism, poetry, religion, women’s art, contemporary art, and the impact of the British landscape on British land art.
Fully illustrated, with a newly revised text for this edition. Bibliography and notes. ISBN 9781861714022. 352 pages.
www.crmoon.com
EXTRACT FROM THE CHAPTER ON ANDY GOLDSWORTHY
One wonders whether Andy Goldsworthy would like to work in snow and ice more than in any other medium. In temperate snowlands one feels Goldsworthy is very much at home. Snow has all the right sorts of qualities Goldsworthy looks for in a material: it is malleable, it melts and changes, its whiteness makes for good, contrasty imagery photographically, and it seasonally alters the landscape, and later dissolves into it.
In Goldsworthy’s snowworks one senses also the sheer fun working with snow. For people in most of Britain, snow is not a occurrence each year, as it is in, say, Northern Russia or Alaska. Snow can be an exciting event (but British adults usually gripe it). Snow was a perennial delight and ’shock’ for Goldsworthy. In Midsummer Snowballs he wrote that ’even in winter each snowfall is a shock, unpredictable and unexpected.’
Goldsworthy retained the child-like enjoyment of snow falling in Britain throughout his life. While much of the U.K. grinds to a halt at the sight of a snowflake, Goldsworthy has the child’s joy when it snows (school’s cancelled, snowball fights, ice skating, sledging, and making snowmen and snowballs).
Andy Goldsworthy speaks in wonder and awe of ’the effect, the excitement’ of the first snowfall. Some of this excitement comes across in Goldsworthy’s snowworks. He has made, for example, patterns in the snow by rolling a snowball around a field, exactly as kids do when it snows (1982 and 1987).
Some of Goldsworthy’s earliest works with snow were large snowballs. In some of these early snow pieces, Goldsworthy placed snowballs in areas such as woods and fields which didn’t have any snow, so the snowballs stood out in the trees and grass (as in Ilkley, Yorkshire, 1981).
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
A new book on land art in Great Britain. There are chapters on land artists such as Chris Drury, Hamish Fulton, David Nash, Richard Long and Andy Goldsworthy. All of the major practitioners of land and environmental art in the U.K. are discussed. The book also considers prehistoric art, stone circles, Romanticism, poetry, religion, women's art, contemporary art, and the impact of the British landscape on British land art.
Fully illustrated, with a newly revised text for this edition. Bibliography and notes. ISBN 9781861714022. 352 pages.
www.crmoon.com
EXTRACT FROM THE CHAPTER ON ANDY GOLDSWORTHY
One wonders whether Andy Goldsworthy would like to work in snow and ice more than in any other medium. In temperate snowlands one feels Goldsworthy is very much at home. Snow has all the right sorts of qualities Goldsworthy looks for in a material: it is malleable, it melts and changes, its whiteness makes for good, contrasty imagery photographically, and it seasonally alters the landscape, and later dissolves into it.
In Goldsworthy's snowworks one senses also the sheer fun working with snow. For people in most of Britain, snow is not a occurrence each year, as it is in, say, Northern Russia or Alaska. Snow can be an exciting event (but British adults usually gripe it). Snow was a perennial delight and 'shock' for Goldsworthy. In Midsummer Snowballs he wrote that 'even in winter each snowfall is a shock, unpredictable and unexpected.'
Goldsworthy retained the child-like enjoyment of snow falling in Britain throughout his life. While much of the U.K. grinds to a halt at the sight of a snowflake, Goldsworthy has the child's joy when it snows (school's cancelled, snowball fights, ice skating, sledging, and making snowmen and snowballs).
Andy Goldsworthy speaks in wonder and awe of 'the effect, the excitement' of the first snowfall. Some of this excitement comes across in Goldsworthy's snowworks. He has made, for example, patterns in the snow by rolling a snowball around a field, exactly as kids do when it snows (1982 and 1987).
Some of Goldsworthy's earliest works with snow were large snowballs. In some of these early snow pieces, Goldsworthy placed snowballs in areas such as woods and fields which didn't have any snow, so the snowballs stood out in the trees and grass (as in Ilkley, Yorkshire, 1981).
“Acerca de” puede pertenecer a otra edición de este título.
Phatpocket Limited
Waltham Abbey, HERTS, Reino Unido
Vendedor de IberLibro desde 28 de abril de 2005
Tarifas de envío de Reino Unido a Estados Unidos de America
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|---|---|---|
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Phatpocket Limited is a world class secondhand bookstore located in the Hertfordshire countryside in the United Kingdom. We specialize in textbooks across an enormous variety of subjects. We aim to provide a low cost source of high quality textbooks to the academic community. We also have a sizable collection of rare and collectible books. We are dedicated to providing our customers with the highest standard of customer service in the bookselling business.Phatpocket Limited is registered in England and Wales: No. 04924751.…
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