Sinopsis:
Excerpt from An Introduction to the Making of Latin: Selected Chiefly From Ellis's Exercises, and Adapted to the Rules of Adam's Syntax; To Which Is Subjoined, the Second Part of Lyne's Latin Primer
Evenings AT home; or the juvenile budget opened - A mifcellaneous work, chiefly by way of'dialogue calculated for the inflruélion of youth, not'onlyinsreadi'ng, but in natural hifloay, and the principles of philofophy.' 6 vols. Fmail duodecimo.'
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Reseña del editor:
Excerpt from An Introduction to the Making of Latin: Selected Chiefly From Ellis's Exercises, and Adapted to the Rules of Adam's Syntax; To Which Is Subjoined, the Second Part of Lyne's Latin Primer
Evenings AT home; or the juvenile budget opened - A mifcellaneous work, chiefly by way of'dialogue calculated for the inflruélion of youth, not'onlyinsreadi'ng, but in natural hifloay, and the principles of philofophy.' 6 vols. Fmail duodecimo.'
About the Publisher
Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com
This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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