This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,850grams, ISBN:9780470714553. N� de ref. del art�culo 5577702

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Detalles bibliogr�ficos

T�tulo: Introduction to Computer Music

Editorial: Wiley

A�o de publicaci�n: 2010

Encuadernaci�n: Encuadernaci�n de tapa blanda

Condici�n: Poor

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Sinopsis:

A must-have introduction that bridges the gap between music and computing The rise in number of composer-programmers has given cause for an essential resource that addresses the gap between music and computing and looks at the many different software packages that deal with music technology. This up-to-date book fulfills that demand and deals with both the practical use of technology in music as well as the principles behind the discipline. Aimed at musicians exploring computers and technologists engaged with music, this unique guide merges the two worlds so that both musicians and computer scientists can benefit. Defines computer music and offers a solid introduction to representing music on a computer Examines computer music software, the musical instrument digital interface, virtual studios, file formats, and more Shares recording tips and tricks as well as exercises at the end of each section to enhance your learning experience Reviews sound analysis, processing, synthesis, networks, composition, and modeling Assuming little to no prior experience in computer programming, this engaging book is an ideal starting point for discovering the beauty that can be created when technology and music unite.

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Dr Nick Collins is a composer, performer and researcher in the field of computer music. He lectures at the University of Sussex, running the music informatics degree programmes and research group. Research interests include machine listening, interactive and generative music, audiovisual performance, sound synthesis and music psychology. He co-edited the Cambridge Companion to Electronic Music (Cambridge University Press), and is fond of the non sequitur. He is an experienced pianist and computer music performer, and active in both instrumental and electronic music composition.

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Introduction to Computer Music

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Usado - Encuadernaci�n de tapa blanda

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