Impossible Stories: On the Space and Time of Black Destructive Creation (New Suns: Race, Gender, and Sexuality in the Speculative). Este artículo no está disponible.
Idioma: inglés
Editorial: Ohio State University Press, 2021
Serie: Libro 6 de 10 - New Suns: Race, Gender, and Sexuality
- Tapa dura
- Usado

Librería: HPB-Red, Dallas, TX, Estados Unidos de AmericaHPB-Red
Vendedor de 5 estrellas
Vendedor de IberLibro desde 11 de marzo de 2019
No disponible
Tapa dura
Condición: Usado - Bueno
EUR 52,18
Descripción del artículo del vendedor
Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or limited writing/highlighting. We ship orders daily and Customer Service is our top priority.
N° de ref. del artículo S_439405768
- Título
- Impossible Stories: On the Space and Time of Black Destructive Creation (New Suns: Race, Gender, and Sexuality in the Speculative)
- Autor
- Murillo III, John
- Editorial
- Ohio State University Press
- Año de publicación
- 2021
- Estado
- Very Good
- Encuadernación
- hardcover
- Idioma
- inglés
- ISBN 10
- 0814214592
- ISBN 13
- 9780814214596
- Serie
- Libro 6 de 10: New Suns: Race, Gender, and Sexuality
In Impossible Stories, John Murillo offers bold new readings of recent and canonical Black creative works within an Afro-pessimistic framework to excavate how time, space, and blackness intersect-or, rather, crash. Building on Michelle Wright’s ideas about dislocation from time and space as constitutive to being Black in America, as well as on W. E. B. DuBois’s theories of temporalization, he reconsiders the connections between physical phenomena and principles, literature, history, and the fragmented nature of Black time and space.
Taking as his lens the fragment-fragmented bodies, fragments of memories, fragments of texts-Murillo theorizes new directions for Black identity and cultural production. Combining a critical engagement of physics and metaphysics with innovative readings of Gayl Jones’s Corregidora, Octavia Butler’s Kindred, Toni Morrison’s Beloved, Kiese Laymon’s Long Division, Dionne Brand’s A Map to the Door of No Return, and Paul Beatty’s The Sellout, he offers new ways to think about anti-Black racism and practice Black creativity. Ultimately, in his equally creative and analytical responses to depictions of Black people left out of history and barred from spaces, Murillo argues that through Afro-pessimism, Black people can fight the anti-Black cosmos.
Taking as his lens the fragment-fragmented bodies, fragments of memories, fragments of texts-Murillo theorizes new directions for Black identity and cultural production. Combining a critical engagement of physics and metaphysics with innovative readings of Gayl Jones’s Corregidora, Octavia Butler’s Kindred, Toni Morrison’s Beloved, Kiese Laymon’s Long Division, Dionne Brand’s A Map to the Door of No Return, and Paul Beatty’s The Sellout, he offers new ways to think about anti-Black racism and practice Black creativity. Ultimately, in his equally creative and analytical responses to depictions of Black people left out of history and barred from spaces, Murillo argues that through Afro-pessimism, Black people can fight the anti-Black cosmos.
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
John Murillo III is Assistant Professor of African American studies at University of California, Irvine.
“Acerca de” puede pertenecer a otra edición de este título.