Imperial Rome and Christian Triumph : The Art of the Roman Empire AD 100-450. Este artículo no está disponible.
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Idioma: inglés
Editorial: Oxford University Press, Incorporated, 1999
- Tapa dura
- Usado

Librería: Better World Books, Mishawaka, IN, Estados Unidos de AmericaBetter World Books
Vendedor de 5 estrellas
Vendedor de IberLibro desde 3 de agosto de 2006
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Condición: Usado - Aceptable
EUR 17,57
Descripción del artículo del vendedor
Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
N° de ref. del artículo GRP72112010
- Título
- Imperial Rome and Christian Triumph : The Art of the Roman Empire AD 100-450
- Autor
- Elsner, Jaś
- Editorial
- Oxford University Press, Incorporated
- Año de publicación
- 1999
- Estado
- Good
- Encuadernación
- Encuadernación de tapa dura
- Idioma
- inglés
- ISBN 10
- 019284265X
- ISBN 13
- 9780192842657
- Peso del artículo
- 2,072 libras
- Dimensiones
- N/A
Western culture saw some of the most significant and innovative developments take place during the passage from antiquity to the middle ages. This book investigates the role of the visual arts as both reflections and agents of those changes. It tackles two inter-related periods of internal transformation within the Roman Empire: the phenomenon known as the "Second Sophistic" (c.AD 100-300), two centuries of self-conscious and enthusiastic hellenism; and the era of late antiquity (c.AD 250-450) when the empire underwent a religious conversion to Christianity. Vases, murals, statues and masonry are explored in relation to such issues as power, death, society, acculturation and religion. By examining questions of reception, viewing and the culture of spectacle alongside the more traditional art-historical themes of imperial patronage and stylistic change, Jas Elsner presents a challenging account of the cultural crucible in which many fundamental developments of later European art had their origins.
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Acerca del autor
J. R. Elsner is Lecturer in the History of Art at the Courtauld Institute, London.
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