Illustration and Advertising. Este artículo no está disponible.
Idioma: inglés
Editorial: Amazon Digital Services LLC - Kdp, 2026
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- Nuevo
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de AmericaPBShop.store US
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Vendedor de IberLibro desde 7 de abril de 2005
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Condición: Nuevo
EUR 37,63
Descripción del artículo del vendedor
New Book. Shipped from UK. Established seller since 2000.
N° de ref. del artículo L2-9798194665853
- Título
- Illustration and Advertising
- Autor
- Che, Lexx
- Editorial
- Amazon Digital Services LLC - Kdp
- Año de publicación
- 2026
- Estado
- New
- Encuadernación
- PAP
- Idioma
- inglés
- ISBN 13
- 9798194665853
- Peso del artículo
- 522 gramos
Images shaped human behavior long before advertising, branding, or written language existed.
From cave paintings, sacred icons, heraldic symbols, and merchant signs to propaganda posters, mascots, packaging, video games, digital products, and AI-generated imagery, visual communication has always served the same fundamental purposes: recognition, trust, identity, persuasion, and influence.
Illustration & Advertising traces this development across thousands of years, revealing the structural connection between ancient symbols and contemporary commercial imagery. It shows how images compress complex meanings, organize attention, establish authority, shape desire, and allow institutions to communicate with audiences they may never meet directly.
This is not a catalog of styles or famous artists. It is a history of how visual systems became instruments of culture, commerce, ideology, entertainment, and technological change.
The book also examines the darker uses of illustration—from propaganda and political mythology to the promotion of harmful products—without reducing visual persuasion to either creativity or manipulation.
Written for designers, illustrators, creative and art directors, marketers, advertisers, brand strategists, content creators, filmmakers, game developers, product specialists, researchers, educators, students, entrepreneurs, and general readers interested in how images shape markets, culture, society, and human behavior.
The book is fully self-contained and can be read as an independent history of illustration, advertising, and visual communication. At the same time, it occupies an important place within the wider BLACK FIELD Knowledge Architecture, serving as a bridge between the Identity Systems trilogy and the Advertising as Power series.
Identity Systems explains how societies, brands, and individuals become recognizable. Advertising as Power explains how persuasion and influence operate. Illustration & Advertising reveals the visual infrastructure connecting them.
From cave paintings, sacred icons, heraldic symbols, and merchant signs to propaganda posters, mascots, packaging, video games, digital products, and AI-generated imagery, visual communication has always served the same fundamental purposes: recognition, trust, identity, persuasion, and influence.
Illustration & Advertising traces this development across thousands of years, revealing the structural connection between ancient symbols and contemporary commercial imagery. It shows how images compress complex meanings, organize attention, establish authority, shape desire, and allow institutions to communicate with audiences they may never meet directly.
This is not a catalog of styles or famous artists. It is a history of how visual systems became instruments of culture, commerce, ideology, entertainment, and technological change.
The book also examines the darker uses of illustration—from propaganda and political mythology to the promotion of harmful products—without reducing visual persuasion to either creativity or manipulation.
Written for designers, illustrators, creative and art directors, marketers, advertisers, brand strategists, content creators, filmmakers, game developers, product specialists, researchers, educators, students, entrepreneurs, and general readers interested in how images shape markets, culture, society, and human behavior.
The book is fully self-contained and can be read as an independent history of illustration, advertising, and visual communication. At the same time, it occupies an important place within the wider BLACK FIELD Knowledge Architecture, serving as a bridge between the Identity Systems trilogy and the Advertising as Power series.
Identity Systems explains how societies, brands, and individuals become recognizable. Advertising as Power explains how persuasion and influence operate. Illustration & Advertising reveals the visual infrastructure connecting them.
“Sinopsis” puede pertenecer a otra edición de este título.