A History of Pictures: From the Cave to the Computer Screen

'What makes some pictures a masterpiece? Who better to explain than our greatest living artist, as he teams up with art critic Martin Gayford to open your eyes to the works of genius he holds dear' --Mail on Sunday

'His sharp and often delightfully slanted take on pictures, explained in clear terms, crisps up perceptions and help readers to look anew.'--Rachel Campbell-Johnston, The Times

'Wonderful ... Apart from the sumptuous avalanche of reproductions, the book consists of paragraphs in which the two proprietors speak alternately. It's a measure of Hockney's vividness of perception that he can always put a cap on Gayford s knowledge ... fabulous'--Clive James, Guardian

'Will keep any intelligent person amused and intrigued ... [Hockney] asks big questions about the nature of picture-making and the relationship between painters and photography in a way that no other contemporary artist seems to do ... enormously good-humoured and entertaining ... On almost every page, there is an interesting provocation'--Andrew Marr, New Statesman

'I won't read a more interesting book all year ... utterly fascinating' --AN Wilson, The Sunday Times

‘An eloquent conversational testimony to the vividness of life lived through intelligent looking. You will see Caravaggio and Citizen Kane with fresh eyes’ Daily Telegraph

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A new, compact edition of David Hockney and Martin Gayford’s brilliantly original book, with a revised final chapter and three entirely new Hockney artworks

Informed and energized by a lifetime of painting, drawing and making images with cameras, David Hockney, in collaboration with the art critic Martin Gayford, explores how and why pictures have been made across the millennia. What makes marks on a flat surface interesting? How do you show movement in a still picture, and how, conversely, do films and television connect with old masters?

Juxtaposing a rich variety of images – a still from a Disney cartoon with a Japanese woodblock print by Hiroshige, a scene from an Eisenstein film with a Velázquez painting – the authors cross the normal boundaries between high culture and popular entertainment, and make unexpected connections across time and media. Building on Hockney’s groundbreaking book Secret Knowledge, they argue that film, photography, painting and drawing are deeply interconnected. Insightful and thought provoking, A History of Pictures is an important contribution to our appreciation of how we represent our reality. This new edition has a revised final chapter with some of Hockney’s latest works, including the stained-glass window in Westminster Abbey.