The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--And Why It Matters. Este artículo no está disponible.
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Idioma: inglés
Editorial: Basic Books, 2008
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- Usado

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May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
N° de ref. del artículo G0465008976I4N00
- Título
- The Hip Hop Wars: What We Talk about When We Talk about Hip Hop--And Why It Matters
- Autor
- Rose, Tricia
- Editorial
- Basic Books
- Año de publicación
- 2008
- Estado
- Very Good
- Sobrecubierta
- No Jacket
- Encuadernación
- Paperback
- Idioma
- inglés
- ISBN 10
- 0465008976
- ISBN 13
- 9780465008971
- Edición
- 2ª Edición
- Peso del artículo
- 0,91 libras
Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and 'hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States . In The Hip-Hop Wars , Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement? A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.
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Acerca del autor
Tricia Rose is a professor of Africana Studies at Brown University. She specializes in twentieth- and twenty-first-century African-American culture and politics, social thought, popular culture, and gender issues. The author of the seminal Black Noise, she lives in Providence, Rhode Island.
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