Librería:
WeBuyBooks, Rossendale, LANCS, Reino Unido
Calificación del vendedor: 5 de 5 estrellas
Vendedor de AbeBooks desde 14 de noviembre de 2005
Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers. N° de ref. del artículo wbs8205783525
Digital technology has changed the ways in which music is perceived, stored, distributed, mediated and created. The world of music is now a vast and complex jungle, teeming with CDs, MP3s, concerts, clubs, festivals, conferences, exhibitions, installations, websites, software programmes, scenes, ideas and competing theories. In the eye of the storm stands David Toop, shedding light on the most interesting music now being made ? on laptops, in downtown bars in Tokyo, wherever he finds it. Haunted Weather is part personal memoir and part travel journal, as well as an intensive survey of recent developments in digital technology, sonic theory and musical practice. Along the way Toop probes into the meaning of sound (and silence), offering fascinating insights into how computers can be used for improvisation. His wealth of musical knowledge provides inspiration for anyone interested in music.
Acerca del autor: David Toop is a highly regarded author, music critic and musician. Since 1995 he has released three solo albums, curated five compilation albums (including the soundtrack to Ocean of Sound), and the sound and music exhibition at the Hayward Gallery - 'Sonic Boom'. His music journalism appears in The Wire, Book Forum, The Times and The Face.
Título: Haunted Weather: Music, Silence, and Memory
Editorial: Serpent's Tail
Año de publicación: 2004
Encuadernación: Encuadernación de tapa blanda
Condición: Good
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. Nº de ref. del artículo: GOR002103887
Cantidad disponible: 2 disponibles
Librería: Better World Books Ltd, Dunfermline, Reino Unido
Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 1586447-20
Cantidad disponible: 1 disponibles
Librería: Studibuch, Stuttgart, Alemania
paperback. Condición: Befriedigend. 352 Seiten; 9781852428129.4 Gewicht in Gramm: 500. Nº de ref. del artículo: 888489
Cantidad disponible: 1 disponibles
Librería: Prompt Shipping/ Quality Books, Bay, AR, Estados Unidos de America
Condición: Used: Very Good. FREE DELIVERY.A GOOD CLEAN COPY.TB-57. Nº de ref. del artículo: 78334
Cantidad disponible: 1 disponibles
Librería: Amazing Books Pittsburgh, Pittsburgh, PA, Estados Unidos de America
paperback. Condición: Good. Nice copy, some wear and scuffing on the front and back covers, but no tearing, pages have yellowed over time but are unmarked. Paperback. LW. Nº de ref. del artículo: D23508
Cantidad disponible: 1 disponibles
Librería: PASCALE'S BOOKS, NORTH READING, MA, Estados Unidos de America
Soft Cover. Condición: Fine-. 279 pages. "At the heart of the book is how sound and silence in space, in memory and in the action of performance acquire meaning." FINE- SOFTCOVER. Size: 8vo - over 7¾" - 9¾" tall. Nº de ref. del artículo: 032192
Cantidad disponible: 1 disponibles
Librería: Remarks Used Books, Pittsfield, MA, Estados Unidos de America
Soft cover. Condición: Very Good. 1st Edition. First published in 2004 by Serpent's Tail, 2nd printing. Brilliant, clean & tight copy, unread, in Very Good condition, despite a minor beump on serpent's spinal tail (still square). "Is it possible to grow electronic sounds, as if they were plants in a garden? Can the resonance of an empty room be played like a musical instrument? Why are childhood memories of sound and silence so important to our emotional development? Is it valid to classify audio recordings of wind or electrical hum as musical compositions? Can computers replace more conventional instruments like the piano or the electric guitar? How can improvisation coexist with computer software? Why have the sounds of our environment become so important to sound artists and why is atmosphere so important in music? In HAUNTED WEATHER, David Toop asks these questions and gauges the impact of new technology on contemporary music. Partly personal memoir, partly travel journal, the book explores ways in which the body survives and redefines its boundaries in a period of intense, unsettling change and disembodiment. At the heart of the book is how sound and silence in space, in memory and in the action of performance acquire meaning." [publisher's copy] "An erudite and entertaining chauffeur, Toop, a noted ambient musician himself, shows us a way of listening differently. He teaches us to enjoy the environmental sounds of pneumatic drills, police helicopters, and tree frogs. He tells us to appreciate the silence between the sounds. Toop [is] up there with Eno as a theorist of ambient music."---Wired. This Paperback Original has brilliant corners & crisp edges (despite that beump), a square & tight binding w/no creases in spine & no interior markings (because: unread). "Toop knows far more, about a far broader range of music, than any other critic."---New Statesman. Quite presentable. Nº de ref. del artículo: RUB1367
Cantidad disponible: 1 disponibles