The Harlem Renaissance and Transatlantic Modernism
Idioma: inglés
Editorial: The Metropolian Museum of Art / Yale University Press, New York / New Haven, 2024
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Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA
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Quarto, Hardcover. Bound in illustrated boards with illustrated jacket. 331 pages : illustrations (chiefly color), portraits ; 29 cm. "In the 1920s and '30s, Upper Manhattan became the center of an explosion of art, writing, and ideas that has since become legendary. But what we now know as the Harlem Renaissance, the first movement of international modern art led by African Americans, extended far beyond New York City. This volume examines for the first time the Harlem Renaissance as part of a global flowering of Black creativity, with roots in the New Negro theories and aesthetics of Alain Locke, its founding philosopher. Featuring artists such as Aaron Douglas, Archibald Motley, and William H. Johnson, who synthesized the expressive figuration of the European avant-garde with the aesthetics of African sculpture and folk art, this publication also includes works by lesser-known contributors who took a radically new approach to depicting Black subjects with dignity, interiority, and gravitas. This reframing of a celebrated cultural phenomenon shows how the flow of ideas through Black artistic communities on both sides of the Atlantic contributed to international conversations around art, race, and identity while helping to define our notion of modernism." VG. Light corner bumping to jacket.…
N° de ref. del artículo 209214
- Título
- The Harlem Renaissance and Transatlantic Modernism
- Autor
- Murrell, Denise
- Editorial
- The Metropolian Museum of Art / Yale University Press, New York / New Haven
- Año de publicación
- 2024
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 1588397734
- ISBN 13
- 9781588397737
- Catálogos de vendedores
- American Art, Museum Exhibitions - American Art
Beginning in the 1920s, Upper Manhattan became the center of an explosion of art, writing, and ideas that has since become legendary. But what we now know as the Harlem Renaissance, the first movement of international modern art led by African Americans, extended far beyond New York City. This volume reexamines the Harlem Renaissance as part of a global flowering of Black creativity, with roots in the New Negro theories and aesthetics of Alain Locke, its founding philosopher, as well as the writings of W. E. B. Du Bois, Langston Hughes, and Zora Neale Hurston. Featuring artists such as Aaron Douglas, Charles Henry Alston, Augusta Savage, and William H. Johnson, who synthesized the expressive figuration of the European avant-garde with the aesthetics of African sculpture and folk art to render all aspects of African American city life, this publication also includes works by lesser-known contributors, including Laura Wheeler Waring and Samuel Joseph Brown, Jr., who took a more classical approach to depicting Black subjects with dignity, interiority, and gravitas. The works of New Negro artists active abroad are also examined in juxtaposition with those of their European and international African diasporan peers, from Germaine Casse and Ronald Moody to Henri Matisse, Edvard Munch, and Pablo Picasso. This reframing of a celebrated cultural phenomenon shows how the flow of ideas through Black artistic communities on both sides of the Atlantic contributed to international conversations around art, race, and identity while helping to define our notion of modernism.
Published by The Metropolitan Museum of Art/Distributed by Yale University Press
Exhibition Schedule:
The Metropolitan Museum of Art, New York
(February 25–July 28, 2024)
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Mullen Books, ABAA
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Mullen Books maintains a very active computerized inventory which grows by 2-300 titles per week. Our specialties include the Humanities, with an emphasis on Art, Architecture, Photography, Decorative Arts, History, as well as Periodicals related to those areas. We have very rare as well as fairly common titles. Current inventory is approximately 79,000 titles. We have about 1000' of backlog in our specialties numbering over 30,000 items (including 20,000+ smaller and ephemeral catalogues devoted to individual artist exhibitions). Current stock occupies over 2.3 miles of shelving. We are active buyers as well as very active sellers, and supply entire reference libraries as well as individual titles. We ship books almost everywhere, with the exception of China due to restrictions. Our website mullenbooks.com maintains our entire database of over 150,000 titles dynamically, so you can submit "wants" for books which are listed, but not currently in-stock. It is a major research tool. Despite what Google may indicate, we are only open to visitors by appointment, as our schedules are dynamic depending upon the needs of our valued employees.…
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