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Harlem Renaissance | The One and the Many | Mark Irving Helbling | Buch | Gebunden | Englisch | 1999 | Praeger | EAN 9780313310478 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand. N° de ref. del artículo 105002845
During the Harlem Renaissance, African-American culture flourished. The period gave birth to numerous significant and enduring creative works that were at once American and emblematic of the black experience in particular. It was a time when African-American culture became more distinct from American culture in general, though it also continued to be a part of America's larger cultural heritage. While the writers, artists, and intellectuals who contributed to the Harlem Renaissance recognized that they had much in common, they also sought to distinguish themselves from one another. This book approaches the achievement of the Harlem Renaissance from the perspective of the conflict between individual and group identity. According to W.E.B. Du Bois, black intellectuals of the period sought to be both Negroes and Americans. At the same time, the relationship of the individual to the group was no less problematic and served to inspire, as well as complicate, the imaginations of the principal figures discussed in this book―W.E.B. Du Bois, Alain Locke, Claude McKay, Jean Toomer, and Zora Neale Hurston. As a consequence, this study focuses on the tension each of these individuals felt as he or she sought to construct a narrative that mirrored this complex experience as well as the problematics of one's own self-identity.
Acerca del autor: MARK HELBLING is Associate Professor in the Department of American Studies at the University of Hawaii, Manoa. He has also taught in Africa and Germany. His essays have appeared in such journals as Prospects: An Annual of American Cultural Studies, Phylon, Negro American Literature Forum, Polish Review, Research Studies, and Ethnic Forum.
Título: Harlem Renaissance | The One and the Many
Editorial: Praeger
Año de publicación: 1999
Encuadernación: Buch
Condición: Neu
Librería: Better World Books Ltd, Dunfermline, Reino Unido
Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 2879457-20
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Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. Nº de ref. del artículo: 50489521-6
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Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. Nº de ref. del artículo: G0313310475I3N10
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Hardcover. Condición: new. Hardcover. During the Harlem Renaissance, African-American culture flourished. The period gave birth to numerous significant and enduring creative works that were at once American and emblematic of the black experience in particular. It was a time when African-American culture became more distinct from American culture in general, though it also continued to be a part of America's larger cultural heritage. While the writers, artists, and intellectuals who contributed to the Harlem Renaissance recognized that they had much in common, they also sought to distinguish themselves from one another. This book approaches the achievement of the Harlem Renaissance from the perspective of the conflict between individual and group identity.According to W.E.B. Du Bois, black intellectuals of the period sought to be both Negroes and Americans. At the same time, the relationship of the individual to the group was no less problematic and served to inspire, as well as complicate, the imaginations of the principal figures discussed in this bookW.E.B. Du Bois, Alain Locke, Claude McKay, Jean Toomer, and Zora Neale Hurston. As a consequence, this study focuses on the tension each of these individuals felt as he or she sought to construct a narrative that mirrored this complex experience as well as the problematics of one's own self-identity. Approaches the Harlem Renaissance from the perspective of the tension between individual and group identity, with special attention to W.E.B. Du Bois, Alain Locke, Claude McKay, Jean Toomer, and Zora Neale Hurston. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780313310478
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Librería: moluna, Greven, Alemania
Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. During the Harlem Renaissance, African-American culture flourished. It was a time when African-American culture became more distinct from American culture in general, though it also continued to be a part of America s larger cultural heritage.Ü. Nº de ref. del artículo: 446884789
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