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T�tulo: Hannah H�ch: Assembled Worlds

Editorial: Scheidegger and Spiess

A�o de publicaci�n: 2024

Encuadernaci�n: Encuadernaci�n de tapa blanda

Condici�n: good

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Sinopsis:

Hannah H�ch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. H�ch broke with the traditions of representation and vision. Her works dissected a world marked by the catastrophe of the Great War and an intense consumer culture, and reassembled it in revolutionary, poetic, and often ironic ways. H�ch kept to her artistic means and her poetic-radical imagination, shimmering between social observation and dream world, even in the post-WWII period. Scissors and glue were the weapons of her art of montage, of which she was a co-inventor.

Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced H�ch’s art: she understood her assembled pictures as static films. This richly illustrated and expertly annotated book explores comprehensively for the first time H�ch’s fascination with film and the visual culture of the modern industrial age. It demonstrates how montage evolved in a field of tension between artistic experimentation, commercial exploitation, and political appropriation. A text-collage on the history of montage, in which major protagonists of Modernism and Avant-garde such as Sergej Eisenstein, Raoul Hausmann, L�szl� Moholy-Nagy, Walter Ruttman, Kurt Schwitters, Theo van Doesburg, and Dsiga Wertow, have their say, rounds out the volume.

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Martin Waldmeier is a curator at the Zentrum Paul Klee in Bern. Nina Zimmer is director of the Kunstmuseum Bern and its affiliate Zentrum Paul Klee.

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