Graphic Design - Reproduction & Representation: A Critical Introduction - Reproduction and Representation Since 1800 (Studies in Design and Material Culture)

Descripción:

This book examines the impact that nostalgia has had on the Labour Partys political development since 1951. In contrast to existing studies that have emphasised the role played by modernity, it argues that nostalgia has defined Labours identity and determined the partys trajectory over time. Jobson outlines how Labour, at both an elite and a grassroots level, has been and remains heavily influenced by a nostalgic commitment to an era of heroic male industrial working-class struggle. This commitment has hindered policy discussion, determined the form that the modernisation process has taken and shaped internal conflict and cohesion. More broadly, Labours emotional attachment to the past has made it difficult for the party to adjust to the socioeconomic changes that have taken place in Britain. In short, nostalgia has frequently left the party out of touch with the modern world. In this way, this study offers an assessment of Labours failures to adapt to the changing nature and demands of post-war Britain and will be of interest to both students and academics working in the field of British political history and to those with a more general interest in Labours history and politics. -- . N° de ref. del artículo GOR014912699

Denunciar este artículo

Sinopsis:

Reseña del editor: This critical survey of the trends and key issues involved in graphic design over the last 200 years provides an introduction to this ever-changing subject. The international development of magazine, advertising and poster design is traced within a chronological framework from the illustrated journalism of the 19th century, to graphic images produced by celebrated artists such as Daumier and Toulouse Lautrec, to late-20th century alternative practices: pop, sub and counter-cultural graphics and the well-known work of Neville Brody. In the process of examining the relationship between word and image in the public domain, the authors cover issues of gender, class, race, hegemony and incorporation.