Good Hope Road (National Poetry). Este artículo no está disponible.
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Idioma: inglés
Editorial: Viking Adult, 1993
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N° de ref. del artículo G0670848220I4N00
- Título
- Good Hope Road (National Poetry)
- Autor
- Stuart Dischell
- Editorial
- Viking Adult
- Año de publicación
- 1993
- Estado
- Very Good
- Sobrecubierta
- No Jacket
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 0670848220
- ISBN 13
- 9780670848225
- Peso del artículo
- 0,6 libras
- Serie
- Libro 43 de 126: National Poetry
The poems in Stuart Dischell's prizewinning first collection, Good Hope Road, inhabit a geography of seeming contradictions where lyric and narrative, personal life and mythic yearning, the domestic and the historic, the elegant and the impure converge.
Like Joyce's Dubliners, the twelve poems of the opening sequence, "Apartments," reflect a wide panorama of contemporary urban consciousness, Dischell's subjects are wronged lovers, thwarted citizens, an idealistic veteran, bickering relations - all with their entangled, fractious alliances.
As a counterweight, "Household Gods," the book's second section, presents lyric and dramatic monologues whose scenes are the shore, the city, and the countryside. Here are homages and elegies, poems of childhood, betrayal, and loss.
Observant and compassionate, Good Hope Road introduces a striking and powerful writer.
Like Joyce's Dubliners, the twelve poems of the opening sequence, "Apartments," reflect a wide panorama of contemporary urban consciousness, Dischell's subjects are wronged lovers, thwarted citizens, an idealistic veteran, bickering relations - all with their entangled, fractious alliances.
As a counterweight, "Household Gods," the book's second section, presents lyric and dramatic monologues whose scenes are the shore, the city, and the countryside. Here are homages and elegies, poems of childhood, betrayal, and loss.
Observant and compassionate, Good Hope Road introduces a striking and powerful writer.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
The poems in Stuart Dischell's prizewinning first collection, Good Hope Road, inhabit a geography of seeming contradictions where lyric and narrative, personal life and mythic yearning, the domestic and the historic, the elegant and the impure converge.
Like Joyce's Dubliners, the twelve poems of the opening sequence, "Apartments," reflect a wide panorama of contemporary urban consciousness, Dischell's subjects are wronged lovers, thwarted citizens, an idealistic veteran, bickering relations - all with their entangled, fractious alliances.
As a counterweight, "Household Gods," the book's second section, presents lyric and dramatic monologues whose scenes are the shore, the city, and the countryside. Here are homages and elegies, poems of childhood, betrayal, and loss.
Observant and compassionate, Good Hope Road introduces a striking and powerful writer.
Like Joyce's Dubliners, the twelve poems of the opening sequence, "Apartments," reflect a wide panorama of contemporary urban consciousness, Dischell's subjects are wronged lovers, thwarted citizens, an idealistic veteran, bickering relations - all with their entangled, fractious alliances.
As a counterweight, "Household Gods," the book's second section, presents lyric and dramatic monologues whose scenes are the shore, the city, and the countryside. Here are homages and elegies, poems of childhood, betrayal, and loss.
Observant and compassionate, Good Hope Road introduces a striking and powerful writer.
“Acerca de” puede pertenecer a otra edición de este título.
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