Godblind: The Godblind Trilogy, Book One. Este artículo no está disponible.
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Idioma: inglés
Editorial: Talos, 2017
- Tapa dura
- Usado

Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de AmericaThriftBooks-Atlanta
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Vendedor de IberLibro desde 24 de marzo de 2009
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Condición: Usado - Bueno
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Descripción del artículo del vendedor
May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
N° de ref. del artículo G1940456932I4N00
- Título
- Godblind: The Godblind Trilogy, Book One
- Autor
- Stephens, Anna
- Editorial
- Talos
- Año de publicación
- 2017
- Estado
- Very Good
- Sobrecubierta
- No Jacket
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 1940456932
- ISBN 13
- 9781940456935
- Peso del artículo
- 1,45 libras
- Serie
- Libro 1 de 3: The Godblind Trilogy
The Mireces worship the bloodthirsty Red Gods. Exiled from Rilpor a thousand years ago, and left to suffer a harsh life in the cold mountains, a new Mireces king now plots an invasion of Rilpor's thriving cities and fertile earth. Dom Templeson is a Watcher, a civilian warrior guarding Rilpor's border. He is also the most powerful seer in generations, plagued with visions and prophecies. His people are devoted followers of the god of light and life, but Dom harbors deep secrets, which threaten to be exposed when Rillirin, an escaped Mireces slave, stumbles broken and bleeding into his village. Meanwhile, more and more of Rilpor's most powerful figures are turning to the dark rituals and bloody sacrifices of the Red Gods, including the prince, who plots to wrest the throne from his dying father in the heart of the kingdom. Can Rillirin, with her inside knowledge of the Red Gods and her shocking ties to the Mireces King, help Rilpor win the coming war?
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Acerca del autor
Anna Stephens is a member of the Birmingham Writers' Group, a friendly bunch of geeks with a penchant for Doctor Who bordering on collective obsession. She has a second Dan black belt in Shotokan Karate and is no stranger to being punched in the face, which is more help than you would expect when writing fight scenes.
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