Gilles Deleuze's Time Machine (Post-Contemporary Interventions)
Rodowick, David
ISBN 10: 0822319705 ISBN 13: 9780822319702
Editorial: Duke University Press Books, 1997
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clean, unmarked copy. N° de ref. del artículo 366621
Sinopsis:
Although Gilles Deleuze is one of France’s most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze’s work on film and images. Placing Deleuze’s two books on cinema-The Movement-Image and The Time-Image-in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze’s theories and the relationship of these theories to his influential philosophy of difference.
Rodowick illuminates the connections between Deleuze’s writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze’s other books-including his influential work with FÉlix Guattari-Rodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.
Acerca del autor:
D. N. Rodowick is Professor of English and Visual/Cultural Studies at the University of Rochester.
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Título: Gilles Deleuze's Time Machine (...
Editorial: Duke University Press Books
Año de publicación: 1997
Encuadernación: Soft cover
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Gilles Deleuze's Time Machine (Post-Contemporary Interventions)
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Duke University Press, 1997
ISBN 10: 0822319705
ISBN 13: 9780822319702
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Soft cover. Condición: As New. 1st Edition. Softcover volume, measuring approximately 6" x 9.5", is like new. xviii/258. "Although Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema"The Movement-Image" and "The Time-Image"in the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other booksincluding his influential work with Félix GuattariRodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy.". Nº de ref. del artículo: ABE-1701908263307
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Condición: as new. Durham, N.C. : Duke University Press, 1997. Paperback. 258 pp. - lles Deleuze is one of France's most celebrated twentieth-century philosophers. Placing Deleuze's two books on cinema - "The Movement-Image" and "The Time-Image" - in the context of French cultural theory of the 1960s and 1970s, the author examines the logic of Deleuze's theories and their relationship to his philosophy of difference. lthough Gilles Deleuze is one of France's most celebrated twentieth-century philosophers, his theories of cinema have largely been ignored by American scholars. Film theorist D. N. Rodowick fills this gap by presenting the first comprehensive study, in any language, of Deleuze's work on film and images. Placing Deleuze's two books on cinema The Movement-Image and The Time-Imagein the context of French cultural theory of the 1960s and 1970s, Rodowick examines the logic of Deleuze's theories and the relationship of these theories to his influential philosophy of difference. Rodowick illuminates the connections between Deleuze's writings on visual and scientific texts and describes the formal logic of his theory of images and signs. Revealing how Deleuzian views on film speak to the broader network of philosophical problems addressed in Deleuze's other booksincluding his influential work with Félix GuattariRodowick shows not only how Deleuze modifies the dominant traditions of film theory, but also how the study of cinema is central to the project of modern philosophy. Condition : as new copy. ISBN 9780822319702. Keywords : PHILOSOPHY, Nº de ref. del artículo: 300308
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ISBN 13: 9780822319702
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