In this groundbreaking study, first published in 1983 and unavailable for over a decade, Linda Dalrymple Henderson demonstrates that two concepts of space beyond immediate perception -- the curved spaces of non-Euclidean geometry and, most important, a higher, fourth dimension of space -- were central to the development of modern art. The possibility of a spatial fourth dimension suggested that ou...

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I think I can say without fear of contradiction that this book is the definitive work on the relationship of non-Euclidean geometry, the fourth dimension, however conceived, and modern art. -Rob Harle, Leonardo Reading this book enriches our knowledge about the interrelation between the different fields of science, culture and art. It is a whole new world waiting to be discovered. -Mathematical Reviews

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