The Forest. Politics, Poetics, Practice.. Este artículo no está disponible.
Idioma: inglés
Editorial: Duke University Museum of Art,U.S., 2005
- Tapa blanda
- Nuevo
Librería: Kennys Bookstore, Olney, MD, Estados Unidos de AmericaKennys Bookstore
Vendedor de IberLibro desde 9 de octubre de 2009
Condición: Nuevo
EUR 35,63
Descripción del artículo del vendedor
Focuses on the forest as a theme in contemporary art. This full-colour catalogue accompanies one of the inaugural exhibitions at the new Nasher Museum of Art at Duke University, on view from October 2, 2005, through January 29, 2006. It includes drawings, prints, sculpture, photography, film, video, digital imagery, and sound art. Editor(s): Goncharov, Kathleen. Num Pages: 80 pages, 70 illustrations, 44 in colour. BIC Classification: AGN. Category: (P) Professional & Vocational. Dimension: 273 x 228 x 5. Weight in Grams: 372. . 2005. Illustrated. paperback. . . . . Books ship from the US and Ireland.
N° de ref. del artículo V9780938989257
- Título
- The Forest. Politics, Poetics, Practice.
- Autor
- . Ed(s): Goncharov, Kathleen
- Editorial
- Duke University Museum of Art,U.S.
- Año de publicación
- 2005
- Estado
- New
- Encuadernación
- Encuadernación de tapa blanda
- Idioma
- inglés
- ISBN 10
- 0938989251
- ISBN 13
- 9780938989257
Starting with “politics”-the first of its three organizing themes-the exhibition examines works that take a political approach to the forest and nature. Germany’s Joseph Beuys’s lithograph Save the Woods (1972) anchors a contemporary collection of works-by An-My Le (Vietnam), Rosemary Laing (Australia) and Collier Schorr (U.S.), and Zwelethu Mthethwa (South Africa), among others-that look at issues of war, nuclear threat, colonialism, industrialization, and deforestation.
“Poetics” investigates the psychological, mythical, spiritual, and literary aspects of the forest, inspired by the Grimms’ fairy tales, Celtic mythology, and European ghost stories. Among the artists showcased are Kiki Smith (U.S.), Wim Wenders (Germany), Yang FuDong (China), Petah Coyne (U.S.), and Paloma Varga Weisz (Germany). “Practice” focuses on artists who are actively engaged with issues of ecology. The exhibition marks the premiere of a webcam project by pioneering media artist Wolfgang Staehle. Other artists include Simon Starling (U.K.), Alan Sonfist (U.S.), and Carsten Holler (Germany).
The Forest is cosponsored by the Nicholas School of the Environment and Earth Sciences at Duke University.
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Acerca del autor
Kathleen Goncharov is Adjunct Curator of Contemporary Art at the Nasher Museum of Art at Duke University. She was U.S. Commissioner to the 50th Venice Biennale in 2001, Public Art Curator at MIT, and Curator of the University Art Collection at the New School, New York.
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