The Films of Luc Besson : Master of Spectacle. Este artículo no está disponible.
Idioma: inglés
Editorial: Manchester University Press Feb 2007, 2007
- Tapa dura
- Nuevo

Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Vendedor de IberLibro desde 14 de agosto de 2006
Condición: Nuevo
EUR 136,05
Descripción del artículo del vendedor
Neuware - This fascinating collection looks at the career and films of Luc Besson, one of the most acclaimed figures in international cinema. Contributions have been assembled from all over the world, and their different approaches reflect this geographical diversity. Films covered range from Besson's first feature, La Dernier Combat, to the international blockbusters The Fifth Element and Joan of Arc. The essays range from looking at costume design to musical scores, and the final chapter offers a transcript of a previously unpublished interview with the man himself.He is the only French director to have crossed over successfully during the 1990s into the blockbuster spectacular we associate with Hollywood cinema and yet this is only the second book in English on this major international director. The films of Luc Besson will make fascinating reading for anyone interested in the career and films of the 'master of spectacle'.
N° de ref. del artículo 9780719070280
- Título
- The Films of Luc Besson : Master of Spectacle
- Autor
- Philip Powrie
- Editorial
- Manchester University Press Feb 2007
- Año de publicación
- 2007
- Estado
- Neu
- Encuadernación
- Buch
- Idioma
- inglés
- ISBN 10
- 0719070287
- ISBN 13
- 9780719070280
- Peso del artículo
- 3 gramos
- Dimensiones
- 234x156x3 mm
This fascinating collection looks at the career and films of Luc Besson, one of the most acclaimed figures in international cinema. Contributions have been assembled from all over the world, and their different approaches reflect this geographical diversity. Films covered range from Besson’s first feature, La Dernier Combat, to the international blockbusters The Fifth Element and Joan of Arc. The essays range from looking at costume design to musical scores, and the final chapter offers a transcript of a previously unpublished interview with the man himself.
He is the only French director to have crossed over successfully during the 1990s into the blockbuster spectacular we associate with Hollywood cinema and yet this is only the second book in English on this major international director. The films of Luc Besson will make fascinating reading for anyone interested in the career and films of the ‘master of spectacle’.
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