Federico Solmi: Escape Into The Metaverse (Hardcover)
Idioma: inglés
Editorial: Black Dog Press, 2022
- Tapa dura
- Nuevo
Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Vendedor de IberLibro desde 22 de junio de 2007
Condición: Nuevo
EUR 65,69
Cantidad disponible: 1 disponible
Añadir al carritoDescripción del artículo del vendedor
Hardcover. FedericoSolmi: Escape Into The Metaverseexamines the work of Federico Solmi, a leading practitioner in the genreof new media art. As a narrative and figurative artist, Solmi utilises lurid coloursand satire to portray a dystopian vision of contemporary society, highlighting thecontradictions and fallibilities that characterise our time. Employing video, painting,drawing, sculpture, sound and digital game design, he creates a carnivalesque virtualreality with historical and present-day world leaders animated by computer scriptand motion capture performance in a critique of Western society's obsession withpower. Inspired by real events and fabricated myths, Solmi explores, re-interpretsand concocts celebrated moments in history. As reconfigured narratives, these socialand political commentaries disrupt the mythologies that underpin Western society,revealing its ties to nationalism, colonialism, religion and consumerism.The book documentsSolmi's unique process of melding traditional art practices and digital technologiesin a case study of his most ambitious video-painting to date, The Bathhouse(2020). Pioneering new modes of cultural production and art experience affordedby the metaverse, Solmi's absurd rewriting of past and present merge dark humorand a sense of the grotesque in a virtual world that indicts our own reality.Solmi was born in 1973 to a working-class family in Bologna, Italy. He is self-trained and self-educated. In 1999, he moved to Brooklyn, New York, to pursue his career. His perspective reflects his outlook as a cultural voyeur, questioning the nationalistic and revisionist American mythologies that are often presented as fact. In 2003, Solmi began to experiment with the tools of video game design, fascinated by the parallel universe made possible by 3D graphics, which he saw as a structure to create narrative video sequences using drawings and paintings. Every visual texture is painted and scanned on the computer up to three times to achieve the intentional flickering effect. The art of Paolo Uccello, Giorgio Morandi and Giorgio di Chirico serve as references for his visual compositions, while the writings of Howard Zinn, Noam Chomsky and Oriana Fallaci serve as inspiration for his social and political commentary. FedericoSolmi: Escape Into The Metaverseexaminesthe work of Federico Solmi, a leading practitioner in the genre of new media art.As a narrative and figurative artist, Solmi utilises lurid colours and satire toportray a dystopian vision of contemporary society, highlighting the contradictionsand fallibilities that characterise our time. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…
N° de ref. del artículo 9781912165476
- Título
- Federico Solmi: Escape Into The Metaverse (Hardcover)
- Autor
- Lawrence Weschler
- Editorial
- Black Dog Press
- Año de publicación
- 2022
- Estado
- new
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 1912165473
- ISBN 13
- 9781912165476
Federico Solmi: Escape Into The Metaverse examines the work of Federico Solmi, a leading practitioner in the genre of new media art. As a narrative and figurative artist, Solmi utilises lurid colours and satire to portray a dystopian vision of contemporary society, highlighting the contradictions and fallibilities that characterise our time. Employing video, painting, drawing, sculpture, sound and digital game design, he creates a carnivalesque virtual reality with historical and present-day world leaders – animated by computer script and motion capture performance – in a critique of Western society’s obsession with power. Inspired by real events and fabricated myths, Solmi explores, re-interprets and concocts celebrated moments in history. As reconfigured narratives, these social and political commentaries disrupt the mythologies that underpin Western society, revealing its ties to nationalism, colonialism, religion and consumerism.
The book documents Solmi’s unique process of melding traditional art practices and digital technologies in a case study of his most ambitious video-painting to date, The Bathhouse (2020). Pioneering new modes of cultural production and art experience afforded by the metaverse, Solmi’s absurd rewriting of past and present merge dark humor and a sense of the grotesque in a virtual world that indicts our own reality.
Solmi was born in 1973 to a working-class family in Bologna, Italy. He is self-trained and self-educated. In 1999, he moved to Brooklyn, New York, to pursue his career. His perspective reflects his outlook as a cultural voyeur, questioning the nationalistic and revisionist American mythologies that are often presented as fact. In 2003, Solmi began to experiment with the tools of video game design, fascinated by the parallel universe made possible by 3D graphics, which he saw as a structure to create narrative video sequences using drawings and paintings. Every visual texture is painted and scanned on the computer up to three times to achieve the intentional flickering effect. The art of Paolo Uccello, Giorgio Morandi and Giorgio di Chirico serve as references for his visual compositions, while the writings of Howard Zinn, Noam Chomsky and Oriana Fallaci serve as inspiration for his social and political commentary.
“Sinopsis” puede pertenecer a otra edición de este título.
Acerca del autor
Lawrence Weschler is an award-winning nonfiction author. For over 20 years, Weschler worked as a staff writer at the New Yorker (1981–2002) exploring topics ranging from art and culture to politics. His politically centered books include The Passion of Poland (1984); A Miracle, A Universe: Settling Accounts with Torturers (1990); and Calamities of Exile: Three Nonfiction Novellas (1996). His “Passions and Wonders” series includes Seeing is Forgetting the Name of the Thing One Sees: A Life of Contemporary Artist Robert Irwin (1982); David Hockney’s Cameraworks (1984); Mr. Wilson’s Cabinet of Wonder (1995); A Wanderer in the Perfect City: Selected Passion Pieces (1998); Boggs: A Comedy of Values (1999); Robert Irwin: Getty Garden (2002); Vermeer in Bosnia (2004); Everything that Rises: A Book of Convergences (2006); and Uncanny Valley: Adventures in the Narrative (2011). His most recent works include Wondercabinet: Lawrence Weschler’s Fortnightly Compendium of the Miscellaneous Diverse (2021); And How Are You, Dr. Sacks: A Biographical Memoir of Oliver Sacks (2019); “A Conversation with Liza Lou” in the Liza Lou Rizzoli Monograph (2011); True to Life: Twenty Five Years of Conversations with David Hockney (2009); Deborah Butterfield, a survey of the artist’s work at the LA Louver Gallery (2009); and Tara Donovan, the catalog for the artist’s exhibition at the Institute of Contemporary Art, Boston (2008). He is the twice recipient of the George Polk Award (in 1988 for Cultural Reporting and in 1992 for Magazine Reporting); recipient of the 1998 Lannan Literary Award, and winner of the 2006 National Book Critics Circle Award in Criticism.
Federico Solmi is a new media artist, best known for his sardonic video-paintings and video installations, with a multimedia practice that incorporates drawing, painting, sculpture, digital design and game design. Born in 1973 in Bologna, Italy, Solmi moved to Brooklyn, New York, in 1999, where he lives and works today.
Solmi’s work has been featured in numerous solo and group exhibitions in the US: Morris Museum, Morristown, New Jersey; Luis de Jesus Los Angeles; National Portrait Gallery, Smithsonian Institution, Washington, DC; Rowan University Art Gallery, Glassboro, New Jersey; Times Square Arts, New York; Tarble Arts Center, Charleston, Illinois; Rochester Contemporary Art Center, Rochester, New York; Block Museum of Art, Northwestern University, Evanston, Illinois; and Postmasters Gallery, New York. And internationally: Ocean Flower Island Museum, Hainan Province, Danzhou, China; Galerie Kornfeld, Berlin; ADN Galeria, Barcelona; 1335MABINI, Manila; Museo de Arte Contemporáneo del ZulIa, Maracaibo, Venezuela; Haifa Museum of Art, Israel; Dino Morra Arte Contemporanea, Naples, Italy; Centro Cultural Mantucana 100, Santiago, Chile; Gleichapel, Paris; Galerie Vernon, Prague, Czech Republic; Italian Cultural Institute of Madrid, Spain; Galerie Zimmermann Kratochwill, Fraz, Austria; and Galleri SE, Bergen, Norway; as well as international art biennials and festivals.
His work is in the permanent collections of: The Phillips Collection, Washington, DC; Block Museum of Art, Northwestern University, Evanston, Illinois; Tarble Art Center, Charleston, Illinois; Buckhorn Sculpture Park, Sherry and Joel Mallin Collection, Pound Ridge, New York; 21C Museum Hotels, Louisville, Kentucky; OCT Contemporary Art Terminal, Shanghai; Thoma Foundation, Chicago and Santa Fe; Collezione Farnesina Experimenta, Rome, Italy; and Collezione BolognaFiere, Bologna, Italy.
From 2016–19, Solmi was Visiting Professor at Yale University School of Art and Yale School of Drama, New Haven, Connecticut, and he is Guest Critic for 2022. His awards include a 2009 Guggenheim Fellowship for Video and Audio in the Unites States and Canada from the John H Guggenheim Memorial Foundation.
Federico Solmi is a new media artist, best known for his sardonic video-paintings and video installations, with a multimedia practice that incorporates drawing, painting, sculpture, digital design and game design. Born in 1973 in Bologna, Italy, Solmi moved to Brooklyn, New York, in 1999, where he lives and works today.
Solmi’s work has been featured in numerous solo and group exhibitions in the US: Morris Museum, Morristown, New Jersey; Luis de Jesus Los Angeles; National Portrait Gallery, Smithsonian Institution, Washington, DC; Rowan University Art Gallery, Glassboro, New Jersey; Times Square Arts, New York; Tarble Arts Center, Charleston, Illinois; Rochester Contemporary Art Center, Rochester, New York; Block Museum of Art, Northwestern University, Evanston, Illinois; and Postmasters Gallery, New York. And internationally: Ocean Flower Island Museum, Hainan Province, Danzhou, China; Galerie Kornfeld, Berlin; ADN Galeria, Barcelona; 1335MABINI, Manila; Museo de Arte Contemporáneo del ZulIa, Maracaibo, Venezuela; Haifa Museum of Art, Israel; Dino Morra Arte Contemporanea, Naples, Italy; Centro Cultural Mantucana 100, Santiago, Chile; Gleichapel, Paris; Galerie Vernon, Prague, Czech Republic; Italian Cultural Institute of Madrid, Spain; Galerie Zimmermann Kratochwill, Fraz, Austria; and Galleri SE, Bergen, Norway; as well as international art biennials and festivals.
His work is in the permanent collections of: The Phillips Collection, Washington, DC; Block Museum of Art, Northwestern University, Evanston, Illinois; Tarble Art Center, Charleston, Illinois; Buckhorn Sculpture Park, Sherry and Joel Mallin Collection, Pound Ridge, New York; 21C Museum Hotels, Louisville, Kentucky; OCT Contemporary Art Terminal, Shanghai; Thoma Foundation, Chicago and Santa Fe; Collezione Farnesina Experimenta, Rome, Italy; and Collezione BolognaFiere, Bologna, Italy.
From 2016–19, Solmi was Visiting Professor at Yale University School of Art and Yale School of Drama, New Haven, Connecticut, and he is Guest Critic for 2022. His awards include a 2009 Guggenheim Fellowship for Video and Audio in the Unites States and Canada from the John H Guggenheim Memorial Foundation.
“Acerca de” puede pertenecer a otra edición de este título.
AussieBookSeller
Truganina, VIC, Australia
Vendedor de IberLibro desde 22 de junio de 2007
Tarifas de envío de Australia a Estados Unidos de America
| Artículo | De 25 a 45 días hábiles | De 8 a 14 días hábiles |
|---|---|---|
| Primer artículo | EUR 32,95 | EUR 39,19 |
Métodos de pago
Información empresarial del vendedor
The Nile Group Pty Ltd
42 Apex Drive
Truganina, VIC Australia 3029
Condiciones de venta
We guarantee the condition of every book as it's described on the Abebooks web sites. If you're dissatisfied with your purchase (Incorrect Book/Not as Described/Damaged) or if the order hasn't arrived, you're eligible for a refund within 30 days of the estimated delivery date. If you've changed your mind about a book that you've ordered, please use the Ask bookseller a question link to contact us and we'll respond within 2 business days.
Derecho al desistimiento
Si es un consumidor, puede rescindir el contrato de acuerdo con lo siguiente. Por consumidor se entiende cualquier persona física que actúe con fines ajenos a su actividad comercial, empresarial, oficio o profesión.
Información sobre el derecho de desistimiento
Derecho legal de desistimiento
Tiene derecho a rescindir este contrato en un plazo de 14 días sin dar ningún motivo.
El periodo de desistimiento vencerá a los 14 días desde que usted, o un tercero que no sea el transportista e indicado por usted, adquiera la posesión física del último bien o del último lote o pieza.
Para ejercer el derecho de desistimiento, complete de forma electrónica y envíe una declaración clara en nuestro sitio web, desde "Mis compras" en "Mi cuenta". Le enviaremos sin demora un acuse de recibo de dicho desistimiento a través de un soporte duradero (por ejemplo, por correo electrónico).
Para cumplir con el plazo de desistimiento, basta con que envíe su comunicación relativa al ejercicio del derecho de desistimiento antes de que venza el periodo de desistimiento.
Efectos del desistimiento
Si rescinde este contrato, le reembolsaremos todos los pagos que hayamos recibido de usted, incluidos los gastos de envío (excepto los gastos adicionales que surjan si elige un tipo de envío que no sea el tipo de envío estándar más económico que ofrecemos).
Podemos hacer una deducción del reembolso por la pérdida de valor de cualquier bien suministrado, si la pérdida es el resultado de una manipulación innecesaria por su parte.
Efectuaremos el reembolso sin demoras indebidas y, a más tardar, 14 días después de que se nos informe de su decisión de rescindir este contrato.
Efectuaremos el reembolso utilizando el mismo medio de pago que utilizó para la transacción inicial, a menos que haya acordado expresamente lo contrario; en cualquier caso, no incurrirá en ningún cargo como resultado de dicho reembolso.
Podremos retener el reembolso hasta que hayamos recibido los bienes o hasta que nos haya presentado una prueba de que los ha devuelto, lo que ocurra primero.
Deberá devolver los bienes o entregarlos a AussieBookSeller, Truganina, Victoria, Australia, sin demoras indebidas y, en cualquier caso, en un plazo máximo de 14 días a partir del día en que nos comunique su desistimiento del presente contrato. El plazo se cumple si devuelve la mercancía antes de que venza el periodo de 14 días. Tendrá que asumir los gastos directos de devolución de los bienes. Usted solo es responsable de la disminución del valor de los bienes como resultado de una manipulación distinta a la necesaria para establecer la naturaleza, las características y el funcionamiento de los bienes.
Excepciones al derecho de desistimiento
El derecho de desistimiento no se aplica a lo siguiente:
- La entrega de periódicos, diarios o revistas, con la excepción de los contratos de suscripción; y
- El suministro de contenido digital que no se proporcione en un soporte tangible (por ejemplo, en un CD o DVD) si, al hacer el pedido, aceptó que podíamos empezar a entregarlo y que no podría desistir una vez iniciada la entrega.
Condiciones de envío
Please note that titles are dispatched from our UK and NZ warehouse. Delivery times specified in shipping terms. Orders ship within 2 business days. Delivery to your door then takes 8-15 days.