Family Secrets and the Psychoanalysis of Narrative
Idioma: inglés
Editorial: Princeton University Press, Princeton, NJ, U.S.A., 1992
- Tapa dura
- Usado
Librería: Kenneth A. Himber, Lebanon, NJ, Estados Unidos de AmericaKenneth A. Himber
Vendedor de IberLibro desde 25 de julio de 2000
Condición: Usado - Como Nuevo
EUR 14,31
Cantidad disponible: 1 disponible
Añadir al carritoDescripción del artículo del vendedor
Book is a clean tight unmarked copy.
N° de ref. del artículo 002766
- Título
- Family Secrets and the Psychoanalysis of Narrative
- Autor
- Rashkin, Esther
- Editorial
- Princeton University Press, Princeton, NJ, U.S.A.
- Año de publicación
- 1992
- Estado
- Almost Like New
- Sobrecubierta
- Very Good +
- Encuadernación
- Hardcover
- Idioma
- inglés
- ISBN 10
- 0691069514
- ISBN 13
- 9780691069517
- Edición
- First Edition, First Printing
- Catálogos de vendedores
- General Literature Studies, Parents, Children, & Family Relationships Studies
Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, "authorship," and the formation and origins of narrative.
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
“Sinopsis” puede pertenecer a otra edición de este título.
Reseña del editor
Family Secrets and the Psychoanalysis of Narrative is the first book to explore the implications of the psychoanalytic theory of the phantom for the study of narrative literature. A phantom is formed when a shameful, unspeakable secret is unwittingly transmitted, through cryptic language and behavior, transgenerationally from one family member to another. The "haunted" individual to whom the "encrypted" secret is communicated becomes the unwitting medium for someone else's voice--and the result is speech and conduct that appear incongruous or obsessive in a variety of ways. Through close readings of texts by Conrad, Villiers de l'Isle-Adam, Balzac, James, and Poe, Esther Rashkin reveals how shameful secrets, concealed within the unspoken family histories of fictive characters, can be reconstructed from their linguistic traces and can be shown not only to drive the characters' speech and behavior but also to generate their narratives. First articulated by the French psychoanalysts Nicolas Abraham and Maria Torok, the theory of the phantom here represents a radical departure from Freudian, Lacanian, and other psychoanalytic approaches to literary interpretation. In Rashkin's hands, it also provides a response to structuralist and poststructuralist critiques of character analysis, an alternative to deconstructive strategies of reading, and a new vantage point from which to consider problems of intertextuality, "authorship," and the formation and origins of narrative.
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
“Acerca de” puede pertenecer a otra edición de este título.
Kenneth A. Himber
Lebanon, NJ, Estados Unidos de America
Vendedor de IberLibro desde 25 de julio de 2000
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|---|---|---|
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